Showing posts with label Sennacherib. Show all posts
Showing posts with label Sennacherib. Show all posts

Wednesday, 9 December 2020

Revolt in Athens in the late Seventh Century BCE (A letter to SemprePhi)

At 19:12 29/11/2020, Thomas Yaeger wrote:

[.......]

Hi. I didn't mean to do any work on the DoP [Death of Pan] today, but it was a quiet Sunday, and I decided in the morning to explore expanding the content headings into sections. This is a much more abstract discussion than in the earlier books, but that is how imagined it would be. So I need a lot of references to existing articles and chapters, enabling readers to have access to real detail. The article 'An Appetite for Knowledge' will be the basis of this, but much expanded.

So far I've argued that a great deal of intellectual and philosophical input to Greek civilization comes from Mesopotamia and Egypt, which is the case. But I've been arguing in terms of a sixth century BCE input, via Pythagoras, just to open the door to an acceptance of the possibility of an east-west transmission. Plato's determination to get hold of the three volumes concerning Pythagorean doctrine offered for sale by Philolaus, tells us that he understood that they contained information useful for the understanding of cult doctrine in Greece.Something had been lost along the way.

Martin Bernal argued, on the basis of comparisons of Egyptian and Greek words, that the Greek vocabulary was heavily indebted to Egyptian, and that the borrowings probably dated back to the mid-2nd millennium, when there were major population movements from Egypt and North Africa. Some of those ended up in the Peloponnese and in Anatolia. I think that he is right about that line of transmission.

But there is a third route of transmission. After the second millennium, but before Pythagoras. I mentioned it in a chapter which didn't make it into SHB for one reason and another, but which has since been published. There is an obscure quote preserved in Eusebius, which says that the Assyrian king Sennacherib captured Athens. This would have been around 701-700 BCE. Any classicist reading that will find it deeply shocking. Generally I try not to mention it.

[……………] This story is [likely to be] true because it explains a peculiarity in Sennacherib's campaign records - half of them are missing from the archives in Assyria. The quotation goes on to mention that Sennacherib built a temple in Athens, which he filled with brazen statues, and that his exploits were recorded in cuneiform on the statues. Now we know why they were missing.

It takes a while to build a temple, and to fill it with brazen statues, so Sennacherib and his troops were there for a while.

I sent the completed chapter to Simo Parpola, and asked if he had anything else to add to the pot. He replied *the same day* with an article he'd contributed to a volume of conference proceedings in 2004, in which he was able to trace the westward expansion of the Assyrians across Anatolia, from their records, all the way to Ionia, which of course was part of greater Greece at this time. They were always aiming for Greece. He didn't know they made the mainland. But they did.

How long were the Assyrians in Athens, and in Attica? I guessed five years or so. But I started to look for some kind of end point to  the Assyrian occupation. I could find nothing.  Parpola had pointed out in his article that a number of features of Greek political and social organisation looked like borrowings from Assyrian organisation, such as naming eponyms for each year, and the institution of Archons. So I looked further, and found an interesting account of a tyrants revolt in 632 BCE (revolt of Cilon). The Greeks recorded tyrants often with very little detail. They were tyrants if they opposed the established authorities. The detail we have is that conspirators were hunted down by the Archons and killed (their grave site has been excavated, and it isn't pretty - the skeletons are in manacles and their mouths have been stopped up with stones).

The date is significant. The last important king of Assyria was Ashurbanipal, who disappears entirely from the record in 632-1 BCE (the empire staggered on till about 609). Possibly as the result of a palace revolt. We don't know. But this would be the right time to rise up  against a hated occupying force.

If the revolt and the collapse of the Assyrian empire are connected, this would mean that the Assyrians were in Athens  for  nearly *seventy  years.*

[..........................................................] 

I'll deal with the Assyrian occupation in a couple of papers further down the line.
 
Best, Thomas



Thursday, 11 October 2018

Greece and the cultural Impact of the Assyrian Empire




In 'The Threshold in Ancient Assyria' I discussed Pauline Albenda's work on pavement slab designs, which seem to have been derived from originals in carpet form. The designs may have originated in Egypt, and perhaps these may have been adopted as the result of cultural interaction beween Egypt and Assyria. 

This particular pattern of ornamentation was present in a Greek context of a similar period, somewhere between the later 8th century B.C.E., and the end of the 7th century B.C.E. Plate 295 of Richter's A Handbook of Greek Art *1 reproduces a photograph of the rear of a breastplate, found in the river Alpheios at Olympia [now in the national Museum, Athens], which is dated to the middle of the 7th century B.C.E.. The text on p 211 suggests that it is engraved with ‘animals and monsters and with a group perhaps to be interpreted as Zeus greeting Apollo’.

This is quite likely, but there is so much more of interest to the design. The Greek figures walk on a palmate border of a ‘fleur-de-lys’ type repeating pattern, and between Zeus and Apollo there is a form of open blossom. These figures occupy the bottom half of the backplate: above them are designs which are of largely Mesopotamian origin. Behind each shoulder of the backplate there are two crescent motifs, each facing outwards; between them are opposing sphinxes rampant; and below these, what appear to be opposing lions rampant. Inside the left crescent (from the back) there is a lion figure, apparently trotting, and looking back over its shoulder. The open area of the crescent is divided into two major spaces by a line, and below the line there is an image of a bull, looking forwards, with its head held low. Within the crescent on the right there is the same division of space, and above the line there is a similar lion to the first, and it too faces back, away from the centre of the design. Beneath the line, there is another similar bull figure, likewise with its head held low, and opposing the first bull. The final space within the crescents shows a palmate design, of alternating buds and blossoms. There are also traces of the palmate design behind the hind legs of the lions, running along the line of the armour’s armholes.

This does not seem to me to be a symbolically empty appropriation of foreign design elements. Any of the elements could have been used by the creator of this armour, but the elements used and the arrangement of those elements speak of a degree of understanding of the symbolism of these images, since both the foreign iconography and the native Greek images are arranged according to the same logic which we have seen in the context of Assyria. The rampant sphinxes are directly above the meeting of Zeus and Apollo, as the open blossom is directly below. The two figures behind Apollo are arranged very much as in Mesopotamian iconography: a handmaiden reaches forward and touches the shoulder of Apollo, and holds the wrist of the figure behind, in the manner which establishes proximity and contact with the divine in Mesopotamia. The line of figures on the left, headed by Zeus, are connected by their overlapping shields and robes.

Richter tells us that: ‘Several shields found in the Idaean cave in Crete are conspicuous examples of early Orientalizing art (c. 700 B.C. ?); they are decorated in embossed relief with monsters and animals in so marked an Eastern style that they are thought by many to be importations;…’ ,*2

This rear breastplate comes from what is known as the ‘orientalising period’ in Greece, generally agreed to be about 720 to 550 B.C.E.. This was ‘a period of change all over the Mediterranean world. Colonies were being founded east and west; intercommunications were improved; and contact with the ancient Oriental civilisations – Egypt, Mesopotamia, Syria, and Phoenicia – was established. The resultant Oriental influence is shown by the adoption of Eastern floral motifs, such as the lotus and palmette, and of Oriental monsters and beasts, such as sphinxes, panthers, and lions’. *3

 According to the evidence at present available, substantive stone sculpture, that is, statues and reliefs approximately life-size and over, were not produced in Greece before about the middle of the seventh century B.C.E. Before that time even cult images were apparently more or less small in size and mostly of wood. It evidently was contact with the East that initiated the making of large stone sculptures in Greece.  *4 

In 681 B.C.E. Sennacherib, the king of Assyria, was murdered while praying in a temple *5 Sennacherib marks a potential high-water mark for Aegean/Assyrian contact. Cory’s Ancient Fragments records a statement by a Greek writer (Abydenus) that Sennacherib (or more likely his generals) once captured Athens. *6  The capture of Athens is not attested by any other source.

Sennacherib was succeeded by Esarhaddon, Sennacherib’s youngest son, after a short violent dynastic crisis. The first act of the new king was to rebuild Babylon in atonement for the 'sin of Sennacherib' in destroying it. There was an abortive attempt in 680 B.C.E. by Merodach-Baladan’s son to capture Ur, and in 677 B.C.E. the King of Sidon, Abdi-Milkuti, revolted, was caught and beheaded. Sidon was ‘torn up and cast into the midst of the sea’, its inhabitants deported to Assyria, and its territority given to its rival, Tyre. Esarhaddon then had to deal with problems along the eastern and northern borders, principally the Scythians (Assyr Ishkuzai), who had crossed the Caucasus and joined the Cimmerians who were already in Asia Minor, Armenia and Iran.

The Medes, located north of Elam, became a problem around 680 B.C.E. – Esarhaddon tried to prevent them becoming a serious difficulty for Assyria, partly through dividing them against each other. He put a friendly prince on the throne of Elam in 675 B.C.E. (Urtaki). Ultimately Esarhaddon’s goal was the invasion of Egypt – already in 679 B.C.E. he had captured the city of Arzani ‘on the border of the brook of Egypt’. He was met by the resistance of the Pharaoh Taharqa in the spring of 671 B.C.E.… ‘

I laid siege to Memphis, his royal residence, and conquered it in half a day by means of mines, breaches and assault ladders. His queen, the women of his palace, Ushanahuru, his ‘heir apparent’, his other children, his possessions, horses, large and small cattle beyond counting I carried away as booty to Assyria…. Everywhere in Egypt, I appointed new (local) kings, governors, officers, harbour overseers, officials and administrative personnel. I installed regular sacrificial dues for Ashur and the (other) great gods, my lords, for all times… 

In May 672 B.C.E. Esarhaddon proclaimed his son Ashurbanipal as his legitimate heir (Esarhaddon died in Harran in 669 B.C.E.). He fought Taharqa as his father had done. Egypt remained under Assyrian control until about 655 B.C.E., when Psametik expelled the Assyrians with the help of Ionian and Carian mercenaries.*7

Traditionally much of the orientalising influence is ascribed to Egypt, partly because some of the Greeks said the Egyptians had influenced the development of their country (though it is denied by scholars for later periods), but mainly because the evidence is unequivocal: the sculptures, ivories and other items are plainly the product of Egyptian influence. However, while agreeing with the importance of Egyptian aesthetic influence on the development of Greek civilisation at this time, I would like to argue for an equally important influence on Greek civilisation over a much longer period, stretching from the late 2nd millennium,  to the sixth century B.C.E. By this I mean the influence of Mesopotamian culture in general, and the influence of the culture of Assyria in particular.

In the Laws, Plato argues that a hostile relationship similar to that which the Greeks experienced with the Persians,  had existed in the past with Assyria: ‘…the inhabitants of the region about Ilium, when they provoked by their insolence the Trojan War, relied upon the power of the Assyrians and the Empire of Ninus, which still existed and had a great prestige; the people of those days fearing the united Assyrian Empire just as we now fear the Great King. And the second capture of Troy was a serious offence against them, because Troy was a portion of the Assyrian Empire.’*8 

We are also told by Plato that the constitutions of Greek states were framed in order to meet this danger. If this statement by Plato is correct, the implications are huge, and it is perhaps surprising that there has been so little discussion of it by scholars. The Laws is however a philosophical and literary work, and not automatically a source you would consult for accurate historical information. 

If Plato's suggestion is in fact correct, what it means is that political developments in Greece from the Trojan War onwards,  were shaped, to a degree hard to determine at this distance, by the nature and the political ambitions of the Assyrian Empire. Plato's view is that the influence was negative,  in the sense that the  Greek constitutions were created to counter the power and influence of the Assyrian Empire by means other than direct military action against it. 

If the Greek anti-Assyrian confederation (we need to give it a name) deliberately shaped their political arrangements to counter the influence of Assyria, such a strategy implies that the Greeks had, or very quickly developed, a strategic understanding of the power of Assyria sometime in the twelfth century B.C.E., at a time proximate to the Trojan War. But having that knowledge of Assyrian culture and intentions, could have had unexpected consequences. Some aspects of the Assyrian empire, for example, might have been adopted by the Greeks, rather than being rejected. Perhaps including the idea of a form of  empire itself - a quasi-imperial structure which could be opposed to the Assyrian threat. But an imperial structure with important differences. 

Interestingly, the three persons of the dialogue are an un-named Athenian stranger, Cleinias, a Cretan, and Megillus, a Lacedaemonian – representing the three cultural groups explicitly named by Protagoras as practising philosophy in Plato’s dialogue of the same name. *9. These three cultural groups were perhaps the core of a Greek confederation against the 'empire of Ninus'.

The translation of this passage in the Laws, published by Thomas Taylor, is slightly different, suggesting that the time spoken of was later than the Empire of Ninus, and contemporary with the Heraclidae: ‘…those that dwelt about Ilion, who, trusting to the power of the Assyrians descended from Ninus, dared to excite war against Troy. For the form of that government, which was still preserved, was by no means despicable. And as we at present fear a mighty king, in like manner all at that time feared that collected coordination of people. For the destruction of Troy a second time raised a great accusation against them; because the Trojan power was a portion of the Assyrian government’ *10

There was some fairly accurate information available about the Assyrian Empire to the Greek speaking world, though some sources available to us severely garble some of the details. These accounts were collected by Isaac Preston Cory in the early years of the Nineteenth century, when there were no contemporary documents available, and only the Bible and Classical literature contained relevant information. This collection is not much consulted now, though still occasionally reprinted, since we have access to a large number of original documents, inscriptions, and other artifacts. *11

Diodorus Siculus reports the years of the empires existence reasonably accurately: ‘…the empire of the Assyrians, after having continued from Ninus thirty descents, and more than 1400 years, was finally dissolved by the Medes. *12 . Whereas Herodotus says, quite inaccurately, that: 'The Medes were the first who began the revolt from the Assyrians after they had maintained the dominion over Upper Asia for a period of 520 years'.*13 Herodotus mentions more than once in his Histories that he would write a history of Assyria. We can be fairly sure therefore that it would not (or did not, if it was actually written) cover Assyrian history more than 520 years before its fall between 612 and 609 B.C.E. – that is, not much earlier than 1120 B.C.E..

On Sennacherib, through a quotation which survives in Eusebius, Alexander Polyhistor, whose accounts are of variable quality, says:

After the reign of the brother of Senecherib, Acises reigned over the Babylonians, and when he had governed for the space of thirty days, he was slain by Marodach Baladanus, who held the empire by force during six months: and he was slain and succeeded by a person named Elibus. But in the third year of his reign Senecherib king of the Assyrians levied an army against the Babylonians; and in a battle, in which they were engaged, routed, and took him prisoner with his adherents, and commanded them to be carried into the land of the Assyrians. Having taken upon himself the government of the Babylonians, he appointed his son Asordanius (Ashur-nadin-shumi) their king, and he himself retired again into Assyria. *14

This pretty much squares with what we know from recovered contemporary sources. Merodach-Baladan (Marduk-apal-iddina)  was an old adversary of Sargon II and former king of Babylon. He returned from refuge in Elam in the first year of Sargon’s reign, and ‘assisted by Elamite officers and troops raised the entire Aramean population of southern Iraq against the Assyrians, entered the capital-city and proclaimed himself King of Babylon’ *15 The armies of Assyria marched against him, and he was defeated at Kish. However Merodach-Baladan escaped and hid ‘in the midst of the swamps and marshes’. Roux continues: Sennacherib plundered his palace, captured innumerable prisoners, deported 208,000 persons to Assyria and gave Babylon a king of his choice, Bêl-ibni, ‘the son of a master-builder’ who had grown up in Nineveh ‘like a young puppy’.

‘Elibus’ may be a Greek rendering of Bêl-ibni (‘Belibnus’). Between the chaotic years 703 and 700 B.C.E. there were three kings of Babylon. If they are the same, he is, as Polyhistor’s account says, successor to Merodach-Baladan, but he did not slay him (he survived to fight another day). Bêl-ibni seems to have been trouble – Roux suggests that he was ‘more than suspect of collusion with the rebels’ and was himself taken away and replaced by Sennacherib’s son, (Asordanius).

So in many of the details in this account, Polyhistor is clearly relating broadly accurate data from sources available to him. And some of the information is more detailed (though we cannot be sure that it is more accurate) than we have even now from contemporary documents painstakingly dug from the earth.

Which makes the following part of the quotation, of particular interest to us, so interesting: he says that, during the reign of Sennacherib, the Greeks, directly or indirectly, mounted an expedition against the Assyrian Empire.

When he received a report that the Greeks had made a hostile descent upon Cilicia, he marched against them and fought with them a pitched battle, in which, though he suffered great loss in his own army, he overthrew them, and upon the spot he erected the statue of himself as a monument of his victory; and ordered his prowess to be inscribed upon it in the Chaldæan characters, to hand down the remembrance of it to posterity. He built also the city of Tarsus after the likeness of Babylon, which he called Tharsis. And after enumerating the various exploits of Sinnecherim (Sennacherib), he adds that he reigned 18 years, and was cut off by a conspiracy which had been formed against his life by his son Ardumusanus. *16

So the Greeks mounted an expedition against the Assyrian empire around 700 B.C.E., and engaged Sennacherib in battle in Cilicia.* 17 Locating the statue of himself which he erected as a monument to his victory over the Greeks would be a remarkable discovery, if it still survives.

Burn says of the colonisation of the Eastern Mediterranean by the Greeks: ‘As early as the foundation of Cumae, Ionians were beginning to trade and settle in the Levant. There were new settlements in the plain of Tarsus and one, called Poseideion, at Al Mina north of Ras Shamra. Geometric pottery reached Hamath (Hamah), which was sacked by the Assyrians in 720; but the Assyrians also severely checked Greek aggression. King Sargon, in a famous boast, says that he ‘dragged the Ionians like fish from the sea’, in operations near Tarsus, and ‘gave peace to Cilicia and Tyre’. *18  Greek trade with the Levant remained important, and influenced Greek culture….’ *19  Tarsus was clearly the key point on the coast of Cilicia during the late 8th and early 7th century B.C.E, and the engagement with Sennacherib was probably close by. His enhancement of Tarsus into an Anatolian Babylon suggests the conscious creation of a semi-autonomous centre of power in a place regularly threatened by various groups. [Tarsus was the chief city of Cilicia, standing near the centre of the Cilicia Campestris, on the river Cydnus, about twelve miles above its mouth. *20

But there is more extraordinary information to come. Another fragment relating to Sennacherib surviving in the pages of Eusebius is by the historian Abydenus, a disciple of Aristotle according to I. P. Cory’s introduction. He says that Abydenus wrote an Assyrian History, and was also a copyist from Berossus, a Babylonian by birth and a priest of Bel, with access to the literature of his own country. Berossus flourished during the reign of Alexander the Great, and resided at Athens for some years. He does not seem to think much of Sennacherib in terms of kingly qualities. But he tells us that the Cilician military engagement involved a sea battle. This may not surprise us: it is more likely than that the Greeks marched across Anatolia. However what follows is not to my knowledge mentioned any where else, and therefore is surprising. Abydenus suggests that the defeat of the Greeks was so severe that Sennacherib was in a position to build a temple at Athens.

At the same time the twenty-fifth who was Senecherib can hardly be recognized among the kings. It was he who subjected the city of Babylon to his power, and defeated and sunk a Grecian fleet upon the coast of Cilicia. He built also a temple at Athens and erected brazen statues, upon which he engraved his own exploits. And he built the city of Tarsus after the plan and likeness of Babylon, that the river Cydnus should flow through Tarsus, in the same manner as the Euphrates intersected Babylon.
A Sargonid temple in Athens, and the erection of bronze statues, with a portion of his annals inscribed upon them, is an extraordinary thought [the annals of Sennacherib’s campaigns found in Assyria on prisms do not contain an account of a campaign which extended to Attica, but they are not complete]. I am not aware of any archaeological discoveries in Athens which would support the contention that Sennacherib or his armies were ever on Athenian soil, but the statement comes from someone who was a student at Aristotle’s Lyceum, and is so extraordinary that it is hard to imagine it being made unless there was some basis to it. One could argue that the parallelling of the Assyrian experience with the Persian experience (in Plato’s Laws) is employed here too – the Persians had come to Athens, and had forced the Athenians to abandon their city. However the Persians had looted Athens, destroying much of the city – there is no parallel with this for Sennacherib's visit. The Persian attack would probably have accounted for the destruction of a surviving Assyrian Temple, if such existed, along with much else of interest in pre-Periclean Athens.

After the defeat of the Assyrians at the hands of the Babylonians and the Medes (somewhere between 612 and 609 (the exact details are unclear), Babylon became the capital of the Assyrian Empire. The following years concerning Babylon are also unclear in the record, and the details are sometimes contradictory, but these details are not of importance to this argument.

Astyages reigned over the Medes from 585 –550 B.C.E., followed by Cyrus (Axerdis). Cyrus eventually became the first Great King of the Persian Empire (formerly he had been known as the King of Anshan). We are told by Abydenus that Axerdis was the first that levied mercenary soldiers, and that one of whom was Pythagoras, a follower of the wisdom of the Chaldæans:

Can this be the famous Pythagoras who stands close to the beginnings of Greek philosophy? The remark is made by a member of Aristotle’s Lyceum, and is made without any fear that a mis-identification might be made. The dates are about right – Pythagoras flourished about 540-510 B.C.E., which would place him at the right time to be such a mercenary soldier, sometime after 560 B.C.E. (Cyrus became king of Babylon in 538 B.C.E.). He would not be the first soldier in the world whose horizons were broadened by travel in the service of a king. * 21

 Chaldaea is often used in a vague geographic way, but Xenophon refers to Chaldaeans in the mountains North of Mesopotamia. Effectively this is the land which is known to the Greeks as ‘Syria’, encompassing Cappadocia and Cilicia, as well as the northern Levant and Mesopotamia [the term also refers to lands in the south of Mesopotamia, (for reasons which are not clear within the contemporary model of the distribution of power and influence in the Levant of the 1st Millennium B.C.E.). Merodach-Baladan thus is counted as a Chaldaean]. It is interesting that here no mention is made of Pythagoras as a follower of the wisdom of the Egyptians, which might be taken to suggest an understanding that Levantine and Mesopotamian sources were of significance for his doctrines as much as those later assumed to be important in late antiquity, i.e., Egypt.

In the account of Pythagoras by Diogenes Laertius, a letter is quoted (from Pythagoras to Anaximenes) which contains some lines which show Pythagoras to be aware of Median power and its dangers, though he is clearly in Italy at the time of writing: 

….if you, the best men, abandon your cities, then will their good order perish, and the peril from the Medes will increase. For always to scan the heavens is not well, but more seemly is it to be provident for one’s mother country. For I too am not altogether in my discourses but am found no less in the wars which the Italians wage with one another. *22

Clearly Pythagoras was no stranger to political disputes, and indeed seems to have perished in the course of one. It is not inconceivable that he was once a soldier, and his interest in the Medes may be the result of mercenary service in the Median army in the early sixth century, as the remark by Abydenus claims. *23

‘…[Axerdis] also reduced under his dominion Egypt and the country of Cælo-Syria, whence came Sardanapallus.’ *24

Pythagoras would have found himself in both Egypt and in Caelo-Syria (i.e., ‘upper Cilicia’ - Cilicia and Cappadocia) if he was in the service of Cyrus for any length of time, and in a position to explore the philosophy and theology of these cultures. ‘Sardanapalus’ is ‘Ashurbanipal’, who appears in the Old Testament as ‘Asnapper’. If he came from Caelo-Syria, this would very likely make him a Chaldaean. In fact Alexander Polyhistor explicitly describes Sardanapalus as ‘the Chaldaean.’*25

If Ashurbanipal is Chaldaean, and his lineage is clear, then either or both his father and mother count as Chaldaean also. Going back in time, the first clear break in the continuity of the lineage is Sargon II (Sharru-kin, or ‘true king’). His name invites suspicion, and his ancestry is not known. He arrived on the throne in the same year that Merodach-Baladan mounted the throne of Babylon (721 B.C.E.). This suggests a degree of instability across the whole of Mesopotamia, suitable for the purposes of usurpers. In which case Assyria had been run by Chaldaean kings for nearly two hundred years by the time Pythagoras encountered Chaldaean ideas.

If Assyria was as powerful and as long-lasting an entity as it was, and a major factor in the development of Greek constitutional arrangements, why do we have no history of the Assyrian Empire written by a Greek writer? Herodotus said he would write one - we get some information about Assyria from his Histories, but the main focus of his book is the later conflict between Greece and Persia. Abydenus apparently wrote one, but it is no longer extant. Another history of Assyria was written by John of Mauretania, but that has gone too. So they did once exist. Plato's information perhaps comes from the history written by Herodotus.

All that survives from Greek writers however is quotations and fragments here and there, often embedded in the pages of Eusebius. It is possible that these histories did not survive because they revealed more about the reactive nature of the Greek relationship with the Assyrian empire than was comfortable. Particularly as the years passed, and they were confronted with a new threat from the East. The development of the Greek constitutions, and the development of the institution of the polis, may have owed a very great deal to the challenge presented by Assyria. And if Sennacherib did inflict a severe defeat on the Ionians near Cilicia in the seventh century, and conquered Athens, it is likely to have been an experience they were only too happy to forget. 

Notes and references.

1. Richter, G.M, A Handbook of Greek Art, Phaidon, 1959, fourth impression 1994, pbk  Plate 295
2  Richter, G.M, A Handbook of Greek Art, Phaidon, 1959, fourth impression 1994, pbk p210-11,
3  Richter, G.M, A Handbook of Greek Art, Phaidon, 1959, fourth impression 1994, pbk. p297 - 
4.  NB:  Richter states incorrectly that:‘Egypt had conquered Assyria in 672 B.C., and from then on the East was opened to Greece’. [p56].
5 See also: the ‘Babylonian Chronicle’ (ABC, pp 81); ARAB, II, sect.795. See: E.G Kraeling, ‘The death of Sennacherib’, JAOS, LIII (1933), pp. 335-46; S. Parpola, ‘The murder of Sennacherib’ in B. Alster (ed.), Death in Mesopotamia, Copenhagen, 1980, pp. 171-82). [Roux in his Iraq, p323, says ‘Sennacherib….. met with the end he deserved: he was stabbed to death by one of his sons or, according to another version, crushed by the winged bulls that protected the sanctuary.’ (n 15 Ch 20 ‘The House of Sargon’;  see also II Kings xxx. 36-7.)
6  Cory, I.P., Ancient Fragments, 1832.
7 Roux, G., Iraq p323-332  Penguin Books, new edition, 1992.
 8 Plato, Laws, translated with an introduction by T.J. Saunders. Penguin Library. 1970.
9 Plato, Protagoras and Meno. translated by W.K.C. Guthrie, Harmondsworth: Penguin Books 1956 (various printings).
10 Works of Thomas Taylor, Plato's Laws. Prometheus Trust, 1996 [first ed., 1804]
11 Cory, I.P.,  Ancient Fragments, 1832.
12 Diodorus Siculus, lib. II. p. 81.
13 Herodotus, The Histories Lib. I. c. 95
14 Alexander Polyhistor, quoted in  Cory’s Ancient Fragments, 1832.
15 Roux, G. Iraq, Ch 20 ‘House of Sargon’, p321. new edition 1992.
16 Alexander Polyhistor, quoted in Eu. Ar. Chron. 42. [Armenian Chronicle of Eusebius].
17  Burn mentions that ‘Greeks and Assyrians clash in Levant’ in his 2nd Chronological Table ‘The Growth of Greek Civilization c 780-480 B.C E'. (Burn, A. R,  A History of Greece, p88-9, 1965, rev. ed. 1979).
18 . Cilicia was Quê to the Assyrians - Roux, G. Iraq, ‘The Assyrian Empire’, p31.
19 Burn, A. R., A History of Greece, p88-9, 1965, rev. ed. 1979.
20 Smith, William, A Smaller Classical Dictionary of biography, mythology, and geography. Abridged from the larger dictionary. Lond., 1852
21 Abydenus,  quoted in Cory’s Ancient Fragments, 1832. So much to discuss here! It is unlikely that Astyages was the first to levy mercenaries, but Greek hoplite soldiers were certainly serving in armies around the near East. They can be identified in a number of wall reliefs, including some in the British Museum's Assyrian galleries. They are quite distinctive in the reliefs illustrating the siege of Lachish.
22. Diogenes Laertius Lives of Eminent Philosophers, Bk VIII 49-50 In this passage it is clear that it is the city (the polis) and how it functions and is organised, that was understood to be a bulwark against Median and Assyrian influence. If the city was neglected, then good order would perish.
 23 see Diogenes Laertius Lives of Eminent Philosophers, bk 2 for his account of Pythagoras
24 Abydenus, quoted in Eu. Ar. Chron. 53.
25 Alexander Polyhistor, quoted in Eu. Ar. Chron. p 44.

Tuesday, 14 August 2018

The Threshold in Ancient Assyria



In 1978  the scholar Pauline Albenda published ‘Assyrian Carpets in Stone’, in JANES [the
Journal of the Ancient Near Eastern Society of Columbia University], vol10,  which reviews the surviving representations of carpet designs in stone reliefs. Not much attention has been paid to these slabs, but they offer the possibility of insight into the significance of the use of similar motifs in other contexts, most notably of the sacred tree.

We know that 
‘decorated threshold slabs are not known to have existed in Assyria before the second half of the 8th century BCE, and then only sporadically. Previous to this period important entrances in the royal residences, as well as temples were often covered with plain limestone or alabaster slabs’. *1 

Stone pavements and portal thresholds in the 9th and 8th centuries were commonly inscribed with royal inscriptions, such as those in the palace of Ashurnasirpal II (883-859 BCE) and the Ninurta temple at Nimrud*2 and ‘in various chambers at Fort Shalmaneser’*3 and the palace of Sargon II at Khorsabad *4. 

Albenda expands on the significance of the threshold, saying that ‘where entranceways containing threshold inscriptions are also flanked by door guardians and decorated further with wall reliefs, the resultant effect is to instill divine protection whose meaning
is expanded in specific terms *5. ‘Thus, the substitution of carved decorated thresholds for the inscriptions at important entranceways…. makes it certain that the floor decorations served a significant role, similar to that performed by the door guardians and wall reliefs’*6. Upon which I shall expand later.

She suggests that ‘the sudden interest in displaying stone versions of 
rugs and carpets at important entrances after the middle of the 8th century was spurred by the development of pile carpets. This is, as she says, ‘speculation’, but it is supported by a similar judgement by R.S. Young for ‘the apparent invention of the art of floor mosaic-making in Phrygia, which occurred at about the same time .*7 However it does suggest that there was some factor at work which prompted the architects of the time to incorporate representations of carpet designs in stone in important buildings. ‘The origin of this innovative technique of carpet production is unknown, although pictorial evidence suggests that one area of manufacture is to be sought in some region west of Assyria, whence the method was transmitted east to the royal workshops’. As evidence for this, Albenda refers to three graphical representations which are dated to the reign of Shalmaneser III (858-824 BCE) and which ‘illustrate among processions of tribute-bearers carpets of substantial size and weight, rolled and hung over poles carried by two attendants. In each instance the fabrics are presented by the inhabitants of some locality to the west of Assyria’*8.

Albenda points out that woven floor coverings do appear in several second 
millennium BCE representations, but in general these are rare. One of these is on an orthostat from Alac Hϋyϋk in Anatolia, dated approximately to the 14 cent BCE, ‘which depicts a rectangular fabric, one end possessing fringes grouped into three curved clusters, placed on the ground beneath the throne of the deity.’ Another is from a Egyptian wall painting dating to the time of Akhenaten, where ‘a large red carpet with rows of yellow and blue diamonds in its field is spread under the feet of the pharaoh... and his family’. She notes that ‘the carpet is fringed with a lotus and bud garland, which here seems to be an attachment. This painting may provide the clue to the origin of the border garland designs that formed part of the rugs in later Assyrian periods.’ 

Indeed it may, but not in the sense of the borrowing of a design, as we shall see.

The elaborate tassels could initially, she suggests, be attached after the rug 
was woven ‘in order to enrich the appearance of the fabric’. However, ‘by the Late Assyrian period ornamental attachments were no longer utilized and in their stead similar motifs were incorporated into the carpet pattern, as suggested by the Assyrian carved threshold pavements’. Albenda expands on this, and says that, on the basis of the designs on the stone threshold slabs,
Assyrian carpet designs differed from those used to embellish contemporary garment textiles which generally combined figural and floral elements, and occasionally emblems that can be readily identified with specific deities. This group of textile decoration was favored particularly in the 9th century BCE., while a second group, limited to floral decoration and geometric patterns, was applied less frequently.*9 In the course of the 8th and 7th centuries BCE, however, as a survey of the Assyrian wall reliefs demonstrates, the second group of textile designs took precedence. The grid pattern showing concentric squares was popular during the reign of Tiglath Pileser III (745-727 BCE), and this was gradually superseded in the reign of Sargon II (721-705 BCE.) by the use of an overall pattern of rosettes and concentric circles. Still later, during the period of Ashurbanipal (668-627 BCE.), a rich array of emblematic, floral and geometric elements was selected to decorate garment textiles.

However, as she points out, ‘on the thresholds the motifs are limited to 
geometric and floral patterns arranged in predetermined compositions. The persistence of a select number of design elements on the threshold slabs makes it likely that such floor displays were the prerogative of the royal family . As she points out earlier in her article, ‘textual evidence indicates that thrones were set upon a carpet’.*10 ‘While the carpet compositions remain decorative in appearance, an analytical study may reveal that symbolic significance underlies one or more of the motifs’*11

This is almost certainly the case, but Albenda is thinking in terms of symbolism of particular gods of the Assyrian religion, and suggests that:
…the six-rayed star pattern may actually be a variant of the Ishtar emblem and the floral quatrefoil, if reduced to its simplest form, can be likened to the Maltese cross with central boss and oblique ray lines, generally associated with the god Shamash.
From the second half of the 8th century onwards,
 the positioning of stone blocks for important doorways became standardised and consisted of two main sections: the portal threshold, a single stone which covered the entrance area and which projected slightly beyond the side walls, and the inner threshold, consisting of three slabs together belonging functionally to the threshold*12. As a unit, the inner threshold extends beyond the width of the portal, a distance sufficient to include pivot stones which support the door leaves. The two end slabs therefore have cuts through which the pivots extend. The circular cuts are oftentimes edged with a double or triple raised band. The central block contains a rectangular slot centered near the edge adjacent to the portal threshold, into which the bolt was dropped when the doors were closed and locked.*13 
Apparently the three slab inner threshold design ‘underwent some modification during
Ashurbanipal’s reign in the 7th century BCE., when a single block was used
occasionally for smaller entrances’. Albenda illustrates these in plates 19 & 20.

There is an illustration in the article of a threshold slab from Nimrud 
which dates to the reign of Tiglath Pileser III, *14 which seems to be the earliest example of carved decoration applied to pavement blocks. This drawing shows the left slab of an inner threshold in the Central Palace; but ‘unfortunately its exact findspot was not recorded. The drawing shows that the entire surface was decorated with floral motifs arranged in horizontal rows and, based upon later examples, the design must have extended to the other two slabs which formed originally part of the inner threshold’.

Other finds were made by Layard in the North-West Palace at Nimrud, *15 in 
the Burnt Palace at Nimrud a carved threshold slab was discovered ‘in a level which the excavators have assigned to the reign of Sargon II’*16. Albenda notes that the grid-pattern on the slab has parallels with those found in one of the residences at Khorsabad.’*17; two separate groups of carved, patterned pavement slabs were discovered also in Khorsabad, ‘in
what may have been residences reserved for members of the royal family’, which she suggests may be ‘a further indication that this novel form of applied decoration was used more frequently during Sargon’s reign’, although no examples were found in the king’s palace at Khorsabad. 

Portal pavements were found in Residence K at Khorsabad, where three portals connected ‘one side of the great hall to a long chamber. The portal pavements were decorated with the same motifs: the center field was filled with quatrefoils and rosettes, surrounded on all sides by a lotus-and cone garland band’*18; Residence L (also Khorsabad) ‘had three portals … aligned to form a connecting link between the central court and two chambers, each succeeding the other. The pavement blocks set in the entrances were carved with an overall pattern of small squares, each inscribed with a rosette*19. Near the center of the stone was a seven line inscription which identified the owner of the residence as Sinahuser, Sargon’s full brother and vizier’*20

By the time we get to the reign of Sennacherib (704-681 BCE), ‘elaborate 
carved pavements were used extensively for important entrances of the South-West Palace at Nineveh’*21. 
This concern  for providing elegant approaches continued into the period of Ashurbanipal, for not only were the grand portals leading into rooms I and M of the North Palace embellished with carved pavements (pls 23, 25), but also other doorways leading out of these and other chambers (pls. 17, 18, 20). From the archaeological evidence available, one must conclude that the desire to enhance important entrances grew in importance in the course of the late 8th and early centuries.*22
It can be argued that this embellishment of entrances is a design issue, or simply a matter of taste, as Albenda appears to be suggesting, though she has referenced what would have been understood as a more practical function by the Assyrians, earlier in her article, when she suggested that  the 'substitution of carved decorated thresholds for the inscriptions at important entranceways…. makes it certain that the floor decorations served a significant role, similar to that performed by the door guardians and wall reliefs’

There are three types of garland borders which are found on Assyrian carved threshold slabs: lotus and bud, lotus and cone, and palmette. The contention of this chapter is that boundaries had an especial philosophical/theological and symbolic significance to the Assyrians in particular, as well as to wider Mesopotamia and Asia, and that the details of
the border decorations are tied into this symbolism. The garland borders are associated in terms of design with the sacred tree, discussed in Being, Kabbalah, and the Assyrian Sacred Tree (in The Sacred History of Being). And philosophically the concept of the boundary is one with the concept which the sacred tree enshrines – an object which represents transformation, transcendence, a point of departure, of coming forth and also of passing away. The boundary of anything is the point at which these transformations can occur, and something of the properties of the boundary – particularly the fact that it must be described essentially in negative terms – seems to have been understood as facilitating transformation. Therefore boundaries would be understood of themselves as of great importance.

In consideration of the significance of 
details of the design of the garland border, Albenda argues, on grounds of practical design, that ‘when planning for the rhythmical aspect of the garland around two or more sides, the corners must have been of prime importance since in every instance each corner contains a large open lotus or a palmette, depending upon the garland type. Additionally, the corner garland stems are compressed to form double straight lines.’ Looking at the question of this detail from a different point of view, in which the garland is a graphical way – a formal way - of reinforcing, of redoubling, of multiplying the power of the threshold, it is likely that the border design represents, as already suggested, an unfurled sacred tree, alternating bud and blossom, and where the borders meet at right angles, so that two boundaries meet, with the corollary that the quality of limit which that meeting represents is doubled, the formal marking at that point is similarly enhanced. The sacred tree design is often found in corners, for the same
philosophical reason, rather than, as most Assyriologists would have it, functioning as a mere‘filler’ motif.
The chronology of the garland types begins with the lotus and bud [Albenda, p6]. ‘It appears on the inner threshold found in the Central Palace at Nimrud, where the motif is repeated twice among horizontal rows of rosettes separated by plain stripes [illustr pl 1]. The flowers are connected by scalloped-shaped stems supported by a base ring. A plain triple arch defines the calyx of the closed and open lotuses. The open flower displays nine petals, while the petals of the closed bud are indicated by a double line drawn down its center. 
This lotus and bud design appears again in the reign of Sennacherib (illustr. pl 15), but the design is subtly modified in its details. Similar garlands appear in thresholds dating to Ashurbanipal’s reign, again having undergone subtle modifications.* 23 During the 8th
century BCE, the cone garland was replaced by the lotus and cone. The lotus and cone garlands are found at Khorsabad [Residence K – illustr. Pl 3 Albenda] –
 the plants are supported by a triple base ring, over which the terminals of the scalloped shaped stems project. The cone appears small and has a narrow body. Its scales are rendered by linear cross-hatchings. This garland type recurs in the next period, at which time the cone seems to be broader, particularly at the base (pls8-9). The base ring may be either plain or banded. The stem terminals emerge over the base ring and curve either down or out. 
The lotus and cone design is found frequently on threshold slabs dating to the reign of Sennacherib [illustr pls. 11-13], but, curiously, never found on the thresholds used in the time of Ashurbanipal. As for the palmette garland motif, it ‘appears for the first time on the portal thresholds from Ashurbanipal’s reign, where it is applied third in a series of decorated bands, following the lotus-and-bud and rosettes (pls 22-23). In the one example of its use on an inner threshold, it occupies the side of the slab that was originally adjacent to the entrance (pls. 17-18). The palmette consists of nine petals of graduating size that radiate from an arched center. Rising over the base ring which supports the flower, the stem terminals divide into four: an outer pair that terminate in upward-curled volutes, below which is an inner pair with downward-curled volutes.’ * 24

As for the centre field designs, Albenda points out that the centre field of the thresholds featured motifs restricted to floral and geometric elements. She also notes that these designs were properly though out ‘according to a basic formula which provided for the orderly division of the parts to the total design.’*25


Notes



1 p4 JANES 10.

2 see A. H. Layard’s Discoveries in the Ruins of Nineveh and Babylon, London 1853, 359-60.
3 n22 Albenda: Mallowan, ‘Nimrud’, I, 42, pl.9; ibid., II 393, pl 319.
4 n23 Albenda: G. Loud, ‘Khorsabad’, Part I. Excavations in the Palace and at a City Gate, OIP 38 (1936), 122-25
5 n24 Albenda is referring to: Paley, King of the World, 120-121
6 Albenda: JANES 10 p4.
7 Albenda, JANES 10, p1; the suggestion by Young appears in ‘Early Mosaics at Gordion’
Expedition 7 (1965), 12-13.
8 The three examples are: The Black Obelisk, the bronze door bands from Balawat, and those carved on the throne dais excavated at Nimrud. On the Black Obelisk, ‘the carpets which form part of the tribute sent by Marduk-apal-usur of Suhi (a district on the middle Euphrates) possess carefully delineated fringes’; those on the bronze bands from Balawat showing tribute from the cities of Tyre and Sidon show less attention to this detail; ‘and those transported by attendants from the land of Unqi (the Amuq plain in North Syria). The inscriptions on the Black Obelisk and on the throne base describe the carpets as ‘bright-colored (woolen) garments and (linen) garments’. They are not described as carpets.
9 n15 – J.V. Canby, “Decorated Garments in Ashurnasirpal’s sculptures,” Iraq 33 (1971), 31-3. For examples of the second group, see S. M. Paley, King of the World: Ashur-nasir-pal II of Assyria 883-859 B.C. (New York, 1976), pls. 22a, 23c, 25a.
10 n12 – Barrelet, R Asyr 71 (1977), 85. Of related interest, the upper surface of the throne base of Shalmaneser III was decorated with an intricate honeycomb and rosette pattern, which may represent a rug. See A. Moortgat, The Art of Ancient Mesopotamia, (New York, 1969), pl. 269.
11 p3 JANES 10.
12  this arrangement is illustrated in Fig 2
13 a feature also illustrated by Frankfort in The Art and Architecture of the Ancient Orient – pl 223, p196, ‘The Late Assyrian Period’, where the rectangular slot in a door-sill from Khorsabad can be clearly seen, cut into the rosette border which marks the inner limit of the outer design of lotus blossoms, alternating between open and closed forms.’
14 illustrated in Albenda, plate 1. The slab is no longer in existence.
15 ‘a large pavement “ornamented with flowers and scroll-work”’. Max Mallowan found that
the part of the palace where this pavement was found was the domestic wing during Sargon’s renovation of the building‘ [Mallowan, ‘Nimrud’, I, 112-13]
16 illustrated in plate 7, Albenda, JANES 10
17 Albenda: p5
18 illustrated in plate 3, Albenda, JANES 10
19 illustr. Albenda, pl. 4, JANES 10
20 fn 28 Loud and Altman, ‘Khorsabad, The Citadel and the Town’, OIP 40 1938, 48-49
21 illustrated Albenda JANES 10, pls. 13, 14.15.
22 Albenda, JANES 10, p5.
23 Albenda, p9 states that the garland motif first appears in Assyria “as part of a wall painting decoration in Kar-Tukulti-Ninurta, dated to the 13th century BCE.’ (n 40., Moortgat, Ancient Mesopotamia, 118, fig 89). Later on, in the 9th century BCE, it appears ‘as a textile pattern reproduced in stone’. On the basis of the evidence of the wall reliefs, says Albenda, ‘it was of minor importance in the decorative arts’. But she notes that ‘two main types are known at this time, a cone garland and a floral garland combined from the so-called lily, palmette, and cone. The first type consisted of a series of cones, each decorated with cross-hatching and surmounting a ring base, connected by scalloped stems. [n41 - A. H. Layard, The Monuments of Nineveh. From Drawings Made on the Spot (London, 1849), 11, pl 47.
24 Albenda, p7
25 Albenda, p7