Showing posts with label Completion. Show all posts
Showing posts with label Completion. Show all posts

Friday, 20 September 2019

Kingship in Ancient Assyria



[This is a chapter from Echoes of Eternity. Of interest to those interested in the origins of the discussion of ethics and morality. Did Socrates initiate interest in these questions? Did Aristotle build his discussion of ethics on ideas in his own head? A close look at the ideas of kingship and divinity in the Near East, in the centuries before classical Greece, suggests otherwise.]


The Excellence of the King

Throughout the texts and inscriptions and iconography we are presented with images of the king as a kind of perfection. He is at the apex of the social structure of Assyria and is its principal priest (in terms of his participation in the key rituals). Thus he is the most excellent of human beings and holds his position because of his theoretical excellence in all aspects of Assyrian life: exercising the virtues of kingship, justice, statecraft, warfare, divination, administration, etc.

It would be easy to argue that the king was understood to have the privilege of contact with the divine on account of his pre-eminence in human society; almost that the king arrogated this privilege to himself on account of his power to do so. However this would be to retroject a secularism into Assyrian society which the evidence does not warrant.

The office of priest, for example, is not distinguished by a term which we can easily equate with "priest". The kalu-priest is designated simply "kalu". In other words, the function of these officials is not seen as apart from the function of the rest of the Assyrian social structure: religion and society are inextricably intertwined, having never been conceived as separate ways of looking at the world (Compare for example the elaborate intertwining of everyday life and the understanding of the structure of the world illustrated by Marcel Griaule's study of Dogon belief: Conversations with Ogotemeli). The term "apkallum" (used to describe Adapa's priesthood of Ea at Eridu) was understood by the Assyrians to be a term indicating a mortal sage, though in connection with Adapa I think the term to have a technical meaning.

In any case, there is little evidence that people thought in antiquity this way up. Even if someone did steal privileges by virtue of his power to do so, the act would be understood and explained within a moral framework, and the success of the act would depend on the will of the gods. When Esarhaddon entered Nineveh and sat on the throne of his father, he describes how

"favourable powers drew close in heaven and earth... messages of gods and goddesses they sent me continuously and gave me courage"[Borger, R. Die Inschriften Asarhaddons (AfO Beiheft 9), 1959, Nin. A-F Ep. 2] (Translation supplied by A.T.L. Kuhrt).

Instead, much of the evidence is explained if we infer that the king understood that he owed his privileges of contact with the gods and his rulership over mankind to his excellence and perfection. In other words, that his wisdom and power came to him by virtue of his perfection, not only in eminence among men, but among all men.

The king is described as "king of kings", which concept may have been understood as essential to the function of his kingship, and not merely as a vainglorious styling. From the Assyrian point of view, the reason why there is a point of contact between the king and the gods at all is because they have something in common, and that the point of contact is precisely the pre-eminence, the excellence, and the perfection of the king in all his roles. It is this commonality which establishes the harmony between the world of man and that of the gods. Cf. Plato, Timaeus 31c-32c; also Aristotle, Politics 1277a, and Nicomachean Ethics Bk. X, chap. 8.

In antiquity in general, perfection is understood as a kind of completion: the perfect is that which is complete, and that which is complete is perfect. Thus the king is also complete, in his attainments, his power, his wisdom and his capacity. In this the king emulates the divine, all aspects of which must be complete in their own natures.

That completion was understood as a virtue in itself is illustrated by the fact in Mesopotamia and elsewhere, sin was often countered not by attempting to undo the sin directly, but by the perfect performance of rituals and incantations. Each of these, properly performed, counted towards the expiation of the sin, irrespective of the nature of the sin. Thus, to undo the damage done by the sin, it is not necessary to repair the damage, to make good the imperfection, directly (often impossible – see the "Sin of Sargon" text in SAA vol. IV, Starr): to undertake repair without regard to context but complete attention to purpose is the requirement. See SLA 323 [= Harper 629], lines 13-17, which illustrates that completions in the abstract are efficacious. Thus, in acting as "apkallum" (standing in for the god Ea) in rituals necessary for the continuation of the Assyrian state (as illustrated in the throne room relief where the king is shown apparently engaged in the business of fertilizing the date palm represented as a sacred tree) the ritual is brought closer to the divine creation, and the consonance of the act with the divine will is emphasised.

The king was "chosen" by the gods because of his special excellence and his virtue, and he was the person responsible for performing very special actions. Everything associated with the act being performed was of equal and critical importance: upon the timing of the ritual depended its success - see SLA 342 [= Harper 406], where the auspicious day for a sacrifice is discussed; see also SLA 344 [= Harper 365], and SLA 328 [= Harper 356]. Oaths were a matter for auspicious days also, and the king was available to be visited likewise only when the day was right - see SLA 341 [= Harper 384].

The king is the agent of the divine in the fight against chaos and the maintenance of order in his realm (which struggle might be characterized as war with the imperfect and the incomplete: compare for example the "Enuma Elish" and the strange creatures which were made in the first creation). Heidel The Babylonian Genesis. pp. 23-4 [Tablet I, lines 132-45]. See also pp. 75-81 for the surviving Greek accounts by Berossus and Alexander Polyhistor.  The struggle against chaos is vividly illustrated in the palace reliefs according to the metaphor of the battle between Marduk and Tiamat. The lion hunt sculptures from the palace of Ashurbanipal echo this struggle. The king is also the final judge, meaning that his insight into the true nature of matters is second to none - see SLA 322 [= Harper 1006].

The divine is understood as some place on the other side of the limit of the world which the king rules, from which he is excluded except in terms of priestly contact.* SLA 327 [= Harper 565], which illustrates the fact that we are excluded from the celestial world except via observation. He is near to the divine, but not so proximate to qualify as divine himself. Though a letter suggests that part of the aura of the king was the power to do exactly as he wished - see SLA 324 [= Harper 137]. To those lower down the social scale in Assyria this might count as divinity; but to those able to juggle with the pattern of ideas within which Assyrian royalty functioned, it would connote no more than proximity with the divine - see SLA 137 [= Harper 992].

As the most perfect individual in his state the king nearly emulates the divine in containing all things: he is complete. The completion of his nature and that of Assur can be made concrete by its literal realization. The king is "king of kings", and this can be made real by conquest and the subjection of surrounding states from the Upper Sea to the Lower Sea. Hence also his description as "king of countries" and "king of the four quarters (lit., edges) of the world".

It is possible that his "official" moods were in imitation of the gods, understood to be manifest in the motions of the planets: the Crown Prince was excluded from the presence of the King when Mars was in opposition to the Sun and hence subject to retrograde motions (which exclusion is an interesting reflection of the Adapa myth,of central importance to Sargonid kingship: Ea knew that Adapa was not fit to appear in the presence of Anu without some schooling in what to say) SLA 328 [= Harper 356]; see also SLA 342 [= Harper 356]; SLA 344 [= Harper 365]; SLA 345 [= Harper 652]. The same sort of equation was made between the geography of the Mesopotamian world and the surface of the moon at the time of lunar eclipse – see SLA 322 [= Harper 1006]. Roaf in his Cultural Atlas of Mesopotamia illustrates this letter, but gives no citation (22 May 678 B.C.). See also SLA 324 [= Harper 137]. See also Parpola's Doctoral Thesis, Letters of Assyrian Scholars to Ashurbanipal and Esarhaddon 1971, Appendix 3B.

It is difficult to specify exactly what is going on here, but it would appear that there is some kind of transactive relationship understood to exist between the abstract (gods) and the concrete (the earthly responsibilities of the king): the character of some of the acts for which we have evidence is best explained by presuming that the principal point of the acts was to create a harmony between heaven and earth; to act as agents, the viziers of the divine, not to supplant its position, or to exploit it for personal ends. Prestige and propaganda are naturally of significance in a world dominated by metaphors (the king being a metaphor for the divine), but the state machine is driven by, both the internal logic of its theology, and the theology functioning as a tool of state. In any case, the distinction between the character of the state and the will of the gods has not yet been made.

The Assyrian concept of nobility

In Assyria justice was not based upon equity, but upon who you were. Thus, the kind of treatment one might expect depended upon what kind of position one occupied in the social structure. In other words the arrangement of society was hierarchical, and the honour and moral worth of an individual depended upon his social position (which, given the complexity of the court and society, might not be reflected by means of the possession of a title). Hence the poor and the helpless by definition were morally worthless, deserving pity; and the rich and the powerful, also by definition, were naturally of high moral character SLA 329 [= Harper 1237], which illustrates that only the divine can exist in harmony. Thus, the more noble the individual (reflected by social position), the greater the proximity to the divine.

The basis of such a social system is teleological: each social position being understood as a rung on the ladder with the divine at the very top; the king stood in close proximity to the divine. The divinity represented a perfect completion, each social position being a more or less imperfect emulation (though perhaps achieving its own special completion of no significant worth). It would seem however that sometimes the hierarchical order could be reversed, for reasons which are difficult to understand: see SLA 329 [= Harper 1237].รข Since completion and perfection were the criteria by which the excellence of acts, things and people were judged, fact and value interpenetrate. Everything in such a world speaks of its meaning.

This of course means that the moral structure of the Assyrian state ought to be intelligible, at least to some extent, in terms of Aristotle's understanding of the way human beings ought to function, since in both the Politics and the Ethics he discusses actions and structures in  terms of honour and completion. Herodotus too constructed his Histories on the basis of a teleological model, interestingly associating space and direction with moral qualities [see also Aristotle, Politics 1327b-1328a].
Both of these writers lived some time after the fall of the Neo-Assyrian Empire, which means that caution is important. Herodotus however lived close enough in time to at least contemplate writing a history of Assyria. Though Greek and Assyrian cultures are clearly quite different entities, a comparison between the two might shed considerable light on the latter.

The King and Totality

The concept of totality as a feature of both the Adapa (myth and discipline) and Assyrian theology, arises as the logical corollary of the association of the king with perfection, and thus completion: it is another way of framing the idea that the universe is structured according to degrees of participation in the ultimate completion (the realm of the divine). This ultimate completion is transcendent, in that we can have no commerce with it except via individuals with a special quality in common (temporary or permanent). However, the essential characteristic of the divine, if it cannot exist in the world, can be emulated within the limitations imposed by the nature of earthly reality. Hence we find the king engaged in conquest and empire building, attempting to take hold of the known universe and to subject it to his will (which is naturally the will of the divine). This ambition (if not necessarily the reality) is reflected in the style of the king’s inscriptions, whether addressed to a human or divine audience. Client kings make sense within this emulatory system: he need not rule directly, just as Marduk need not. A proxy representative (bound by oaths to the Assyrian king, justas the king is bound by oath to the god) is not only satisfactory, but fits harmoniously into the Assyrian model of the world.

Aristotle was insistent that, while a man might be regarded as a god among men, a man could not be divine while still living, because the divine has a strict definition. Man is connected with the divine in a participatory sense through the accomplishment of ends and completion. While man has existence on earth he cannot be truly divine (though he might be truly human only by virtue of something of the divine within him).

That Aristotle's definition of the divine is traditional is supported by the fact that no clear evidence exists for the paying of divine honours to a Greek (while still alive) before and including Alexander the Great (Heroic honours being a quite different matter: the different species of honours require to be clearly distinguished).

That the teleological world view was important in the fourth century B.C. is illustrated vividly by the proskynesis debate at the Persian court of Alexander. The best account is by Arrian, and it presents the debate as a struggle between theteleological view of divinity (of which he must have been aware, having been Aristotle's pupil) and the Democritean view of theological matters (in which nothing happens according to fortune, for there is nothing beyond the meaningless concourse of atoms). The debate is a miniature of the struggle between Plato's Gods and Giants (the Sophist): ironically Anaxarchus tempted Alexander to side with the giants in order that he be regarded as a god. Thus it is a fourth century miniature of the struggle between the ancient teleology (in which actual divinity is incompatible with complete physical existence), and the moderns (who restrict themselves to dealing with the idea that divinity is a metaphor, with only the meaning with which it is invested by its devotees).





Thursday, 19 July 2018

The Greek Ontological Model in the 1st Millennium B.C.E.





This is a discussion of the ontology and theology of the Greeks, in the context of the 1st Millennium B.C.E. It is essentially an overview of where I was, written between 26 July and the 3rd of August 2003. I have revised some of the English, and excised a couple of short passages, but the argument remains as it was. It is quite a long read (around six thousand words), but some readers will find the discussion rewarding and worth the effort. It has a number of themes, but essentially it is a discursive account of Plato as a theological writer. 

It is divided into six sections, which I list here:

Abstract and Introduction
Where is the Theology of the Greeks?
Discovering Greek Theology
The Intellectual basis of Greek Theology
Magic and Ontology in Ancient Greece
Beyond Motion and Change


Abstract

This essay proposes a substantial revision to the current cultural model for the Greeks. It argues that we need to modify our picture of the ontological model available to the Greeks in this period, and consequently to adjust the corresponding ontological model we use to interpret the cultural significance of their religious thought and practice. It also attempts to rearrange some of the fractured pieces of the Greek cultural continuum into a more appropriate set of relationships.


Introduction


This essay is, in contemporary parlance, ‘left field’, in that it does not develop a current line of argument about Greek civilisation, but instead proposes a very radical re-interpretation of the Greek cultural phenomenon. It does this, not because the author wishes to wilfully and contrarily reorder the phenomenon, but because the author has been pushed toward a radical re-interpretation by the evidence itself for the understanding of ancient Greece over a period of twenty years: this evidence suggests that the ontology available to the Greeks themselves in the 1st Millennium B.C.E. was much more sophisticated than we have hitherto allowed ourselves to imagine. As a whole, the phenomenon of philosophy (and its sudden appearance) in Greece is problematic in its broad relationship to a number of aspects of the Greek cultural matrix (with which it has a number of clear connections), and there has been no recent serious attempt to address these issues. Indeed, it is difficult to imagine in what circumstances within the academic world of classics such radical re-interpretation would be possible. Plus there is the question of who has the responsibility and expertise to start playing around with the ontology of the Greeks – the philosophers or the classicists?

So this is a radical little text, dealing with a cultural no-man’s land, which is unlikely to find an orthodox home in a journal such as JCS or JHS, or any of the others. Too bad! It is nonetheless a serious piece of work which I think deserves at least a little attention, in that its radical re-ordering of the Greek cultural matrix  offers the possibility of understanding the theological background to the development of, for example, participatory democracy in Greece – the sort of background  scholars have suspected for some considerable time - but have been unable to explore. The reason it has not been possible to explore it (it is argued in this essay) is because the ontological model we attribute to the Greeks is not the one they had.

The essay also  proposes a new way of understanding the role of sacrifice among the Greeks, and has a few new words to say on Greek conceptions of participation and magic.


Where is the Theology of the Greeks?

Much of it is in the pages of Plato. Plato is a religious writer. His writings do not tell us, as the current orthodoxy generally holds, about a secular programme of philosophical investigation. Instead his writings tell us about the theology of the Greeks. This has not been recognised much in practice and in detail by scholarship – however the later commentators all the way up to Proclus wrote their commentaries on the basis that he was writing about theology. In the renaissance they read Plato very much the same way. However we do not ourselves currently have a conception of theology or of its history which comfortably allows us to see the ideas expressed in the dialogues as evidence of theology.

The later commentators have been dismissed as insignificant to the interpretation of Plato because much of what they wrote betrays ideas of eastern origin. In other words, their theological interpretation of Plato depends on ideas which are clearly drawn from eastern sources, and on that account  their interpretations are illegitimate as a means of understanding and interpreting Plato. On this account the later Platonists are designated by us as ‘Neoplatonists’. A distinction they would not have understood.

The presumption here behind the orthodox position is that both Greek religious and theological ideas and the ideas contained in Plato are autochthonous – i.e., they don’t belong within a common cultural matrix whose boundaries across Europe and the Middle East are difficult to define. Greek ideas are Greek, and Plato’s dialogues represent an expressly Greek (and essentially  philosophical) interpretation of reality.

One of the reasons for the popularity of the autochthonous nature of Greek ideas is the easy identification of religion as the outward expression of an inward theology.  While it is true that aspects of an outward religion may (and sometimes do) reflect details of an inward theology, it is also the case that there is no necessary and obvious connection between them at a formal level (this on account of the various purposes, many of them pragmatic, which underpin the show of religion).  In other words, it is not possible to guess the nature of the theology underpinning a religious literature and its iconography simply by analysis of those things.  It has (for example) been too easily assumed that Homer tells us what we need to know about Greek religion (Plato’s view of  Homer and the other poets is well-known). But, constructing a picture of Greek theology on the basis of the descriptions of the Gods and their actions in Homer results in a morally unsatisfactory result and a source of embarrassment - to the Greeks as well as ourselves. It is hard to imagine a people with the intellectual curiousity and power of the Greeks being happy to consider the Homeric epics as sufficient description and explanation of the world for any length of time, and for any serious purpose.

However, the contemporary view is that, since Plato is not writing about Homeric ideas of divinity, he cannot be telling us about Greek theology: therefore he is writing about a more or less secular programme of philosophical inquiry.

On the contrary, I repeat that Plato is writing about Greek theology, and that theology is part of a common body of philosophical theory and argumentation, orally maintained for many generations. Naturally it isn’t the case that all Greeks were familiar with the ideas which find expression in his pages, any more than a straw poll in an English street would reveal a picture of the central theological beliefs of the Church of England. But it is the case that Plato is writing about the theology of his culture, in that it reflects the body of doctrine shared by his peers.

What are the reasons for arguing that Plato is not writing about theology? Firstly, what Plato writes does not resemble closely what we now regard as theology. We don’t expect to encounter theology in a dialogue format. He deals with abstract arguments which, it seems, only occasionally admit of a theological interpretation. Discussions of the relationship between the one and the many are expressly conducted in terms of logic. And so these discussions are treated in pedagogical terms. It might be that an argument by Plato might be seen by a later writer as having a theological application, but that does not mean that Plato was discussing theology.

 Secondly, Plato is regarded as the apex of philosophical speculation in the ancient world. He did not invent philosophy, but to a significant extent invented the discipline which we now recognise as philosophy.  It is often assumed – because there appears to be no evidence to the contrary – that clear abstract thinking began with Plato. And clear understanding of ideas of infinity and the boundless, the currency of later theological speculations, also began with him (earlier philosophers such as Anaximander and Parmenides may have concerned themselves with such concepts and arguments, but they represent no more than the foreshadowings of what Plato would do. It isn’t real philosophy as we understand it).

In short, before Plato abstract speculation in the writings of the presocratics does not really count as philosophy. Certainly not as these speculations are  represented to us in the historical record. Before Plato, there is, it is assumed, no coherent logical argument about intellectual abstractions. It has been argued in fact that, before Plato, most speculation was carried out at the level of concrete images, and that concrete ideas alone were the currency of earlier ages in Greece and elsewhere.

During the past 150 years or so, the civilisations of antiquity, in cultural and intellectual terms, have been seen as a relatively new development, grown out of an ‘urdummheit’, or initial stupidity. This is not a difficult view to understand, if we do not separate out (as we now do not) the apparatus of public religious expression and the theology which gave it a legitimate life, since the credulity apparent in the ancient world, with its bizarre cults and practices, its sacrifices to the gods, its Hades and Sheols, its divine honours, suggests a degree of unreason. When read at face value, these practices do appear to indicate an intellectual capacity not yet fully formed.

Not only do we not separate the forms of religious expression from the theological underpinnings, the same doctrine of ‘urdummheit’ (mercifully no longer an axiomatic premise in the study of the ancient world) has left us with no conception of an ancient theology, beyond whatever poor thing might be assumed (usually something convenient to our own assumptions) to lurk inside the outward show. It is not there, because it cannot be there -  the intellectual capacity necessary for philosophy and abstract theology was not developed until the middle of the first millennium B.C.E.


Discovering Greek Theology


We have to interpret the evidence of the past on the basis of what we already know about the world. How we pass beyond what we know to an understanding of something which, beforehand, we did not understand, is still a process which involves a degree of mystery. In some way the categories of our understanding have to be modified by the perplexing experience of evidence which takes us beyond the structures already established in our minds (and in the academic curriculum). Despite the best efforts of Francis Bacon to formalise the process of intellectual invention, we still cannot mechanise this, and cannot prescribe how it is that we go from one intellectual model of the subject in question, to a better one. But a better model is what is required.

The ancients (including Plato) have been accused of mistaking a subjective ontology for an objective one (Both J.G. Frazer and Benjamin Jowett approached Plato from this point of view). In other words, they were accused of making a fundamental mistake in their understanding of the world, and that this is the principal difference between us and them – by contrast we do not make this particular ontological mistake. Consequently it is all too easy for us to treat their conceptions as if they were struggling to deal with the kind of epistemological and ontological questions which are of importance to us, and which make sense within our own ontological model of reality – practical questions of understanding physical issues  – how do we know what a thing is, and understand its relations with other things in the world; how we understand and delineate ‘real’ (phenomenal) things; how we deal with things on a rational basis; how we avoid thinking about phenomena in faulty ways. And so on. When the Greeks address abstract metaphysical questions, such as whether the Good is one or many, we behave as if they failed to understand the limits of philosophical enquiry.

On the contrary it is we who traduce their ontology. They were not talking about the phenomenal world as an ontological structure (not until the advent of Stoicism as a doctrine and a practical view of life from the 5th century B.C.E. onwards, in both Greece and, it would seem, Egypt). They were talking about what they regarded as reality itself, which (they presumed) underpins the phenomenal world.

Though we cannot formalise the process of changing ontological models, we can say something about the process, and what it involves.  A subjective ontology is one which is held within the mind, and is assumed to describe to an accurate degree the reality which is being apprehended. Which in this case is the material and textual evidence from ancient Greece. Discovering the difference between a subjective and an objective ontology depends on observation of the limits of the subjective ontology in explaining what is observed. 

Where there is a discrepancy, there is likely to be a deficiency in (at the least) the ontological description. An obvious example of this phenomenon is the long-standing and highly successful account of the planetary motions by the astronomer and geographer Ptolemy, which provided a reasonably practical  mathematical description of what was observed from the earth, but did not come close to describing the real motions of the planets. Even when the ontology is adjusted to more accurately describe the observed reality, it may be that the revised theoretical model only accounts satisfactorily for what is observed at the level of mathematical description, without actually addressing the real nature of the phenomena.  Sometimes no amount of revision of the description is adequate: sometimes the model has to be changed.

It follows therefore, that if the ontology we give the Greeks, and the ancients in general, is significantly faulty, then there ought to be evidence within both the written record, the monumental record, and the archaeological record, which is not easily (or at all) accommodated by the existing model. As a general description, the existing model may be satisfactory for our contemporary purposes, but it does not satisfactorily account for all the available detail, and more importantly, account for the significance accorded to the detail in the ancient world. For example, we often account for ancient religious belief and practice in terms of ideology and propaganda, but this leaves out a detailed accounting of the perceived intrinsic worth of these ideas in the ancient world, and their contemporary context. The presumption appears to be that it is simply uneccessary to address these details in such terms.

There ought also to be deformations in the history of the apprehension of the Greeks (their reception), as a result of the struggle to make sense of their civilization within the categories we choose as a means to understand it. There is of course such evidence. Martin Bernal has dealt with much of the history of the revised scholarly model of Greece developed from the eighteen-forties onwards, (and in an exemplary fashion) in the first volume of Black Athena, which was received more warmly by the academic community than might have been expected. However Bernal’s work was intended to open up the territory, not to close the book on a bad period for the study of antiquity in Europe. At the moment we are in an interesting place, in that the former model of antiquity created by scholars no longer holds sway, but most of its parts are still in place to stave off undesirable vacuum. Many questions need to be answered still about the development of the scholars model, and about the traduction of the intellectual world of antiquity which resulted. The evidence remains, but is now no longer securely framed by the labours of 150 years of scholarship which produced a collusive and fictional tale of ‘how it was’. The anomalies in the evidence are still a legitimate subject for academic enquiry. But now they should be apprehended as far as possible as they are., as they present themselves, and explained as far as possible in terms of the culture which gave rise to them.

Systematic study of this anomalous evidence ought to lead us to a more precisely tailored ontology for the Greeks and the ancients, by suggesting an alternative hypothesis upon which (all) the evidence might rest.  In the course of such a study we should remember that the anomalous nature of some of the evidence from ancient Greece arises from the curious way it sits within our own models of the past – not because this evidence is intrinsically intrusive, violating the cultural context in which it is found.

Some of the anomalies are within particular bodies of evidence. For instance, the Platonic dialogues, read as philosophy, contains many pieces of information which are not easily integrated within modern analyses of his work which see that work within the frame of a research or teaching programme, for which there is no evidence. There must have been teaching of some sort in the Academy, but we have no idea about the nature of that teaching, and all current models depend on retrojections of later notions about philosophical pedagogy in Greece.

The work of other ancient writers is similarly unhappy at being interpreted in terms of a model of philosophical activity which depends ultimately on later conceptions of what it is to do philosophy, and in which, through long practice, scholars have become comfortable with sidelining the context and much of the detail of the texts. Not to mention the now dubious practice of emendation which has gone on since the recovery of classical texts in the renaissance (cf Scaliger’s commitment to ‘extreme scholarship’ in the ‘reconstruction’ of Aristotle’s Greek from an Arabic translation).

 Other anomalies arise in details of description and practice. Some of these seem to be satisfactorily explained in terms of the ‘urdummheit’ model, in that they are explained in terms of the failure to be something like ourselves. Examples might be the use of oracles, the consultation of entrails, the notice given to omens and the practice of divination, the honour and worship directed at statues and images, as well as the worship of ancestors and the dead, the importance of liturgy and ritual, the emphasis on completion and perfection, the ubiquitous practice of animal sacrifice, the attribution of the sacred to inanimate things, and the prevalence of the view that the detail of the world is almost entirely conditioned by ends.

These things, which seem like a disparate array of ancient peculiarities (and are so treated by and large by modern scholars), are in fact tied together as a set of practices and phenomena by an underlying body of ideas. Within that body of ideas they make sense. The varieties of practice and phenomena are intelligible as the development of an intellectual apprehension of reality, in a manner paralleled by the development of ideas and practices in our own intellectual world.

This intellectual apprehension of reality is in fact what ancient theology is.

Much of this theology can be obtained through a careful reading of Plato’s Timaeus and the Parmenides. However there are other texts which contain rich information about the same body of ideas. Plato’s the Sophist and the Theatetus, and the Republic are others. Aristotle’s On Generation and Corruption is another one of these works. The Enneads of Plotinus, despite their relatively late date, give perhaps the clearest picture of the theology shorn of the context of disputation found in the Platonic Dialogues.

The essence of Greek theology is an intellectual apprehension of the ground of reality, of the ultimate reality, as being beyond all categorisation and apprehension. This ultimate reality, though one, is also twofold, in that while it gives rise to all subsequent manifestations and shadows of its nature, it also remains as itself, abiding and unseen; above all participation in the world it generated.

This is the both the ultimate reality and the ultimate target of intelligence. It is both unformed and the repository of all possible forms. It is chaos in a sense, in that it is beyond all human reduction to order, but it embraces all reality in potential.

It is also the ultimate ground of power: the source to which all things must look for renewal. All intermediary sources which can renew the power of an entity, practice, phenomenon or idea, also draw power ultimately from the principal source.

It is also the place where the same and the different meet. All distance is collapsed in the ultimate ground of reality. Opposites are one, and the most distant objects are in the most intimate contact. The beginning and end of time are conjoined and inseparable.

This is the essence of the ideas enshrined in Greek theology.

Initiation into the theology was by the method illustrated by Plato in his dialogues – through the insufficiency of logic and argument to pin down the ultimate reality as other than something which utterly transcends the categories of human description and understanding, and which is in fact beyond all description and all understanding.

This is the core of an ancient practice of dialectic. In itself there is little about it which can be said to be exclusively Greek, except insofar as we have great evidential detail through Plato. However, traces of the idea echo through the religious beliefs and iconography of the Greeks, once you know what to look for. It is the common occult substratum which binds together some of the most important aspects of Greek civilization.

Greek civilization, its key literature, its art, its ritual, its religious beliefs, is underpinned by a range of ways of thinking, ways of interpreting, ways of conceiving, ways of operating, and consequential ends, which all owe their validity to the common occult substratum of theology. The occult substratum did not give rise to these modes of thinking and operating (it appears to be - at least to an extent - ‘hard-wired’ into our conceptual apparatus), but informs them with meaning which they would scarcely have without it (French classical anthropologists have done excellent work in unpicking Greek cultural practice without any conception that, at some very deep level, a sophisticated philosophical model underpinned the details of festivals and rituals). 

Initiation into the substratum, or even slight knowledge of its existence and content, would, for the Greeks, inform life, art and belief in an extraordinary way: it would be amplified and vivified in proportion to the degree of understanding of the ideas involved in the cultural apparatus. Most Greeks were however uninformed about the real nature of their culture’s theological background, but they nevertheless had a grasp of some of the consequential details, without understanding their origin in the depths of a complex and (in certain senses)  unified body of  discursive ideas about the divine.


The intellectual basis of Greek Theology

If the ultimate ground of reality is as revealed (essentially negatively) in Plato’s dialogues, and in the Enneads of Plotinus, then a number of  fairly obvious logical inferences will be made.

Firstly, this ultimate ground of reality is the principal subject of religious awe, honour and worship. Other entities may have a claim on priestly worship, but only in so far as they participate in the ultimate ground of reality. However, much of the imagery, conception and narrative in religion is accidental rather than essential, in that it arises in response to human credulity, vanity, and political requirements. Religious establishments pay a price for their existence in the world, and paying honour to accidental divinities is part of that price. Creating them (even setting them up in heaven, which a skill of the theurgists)  is another part of that price.

Secondly, the nature of the model in which the ultimate ground of reality is the complete collapse of not only the categories of perception, but also the ultimate ontological collapse of the categories of reality and existence, means that the ground of reality is, despite appearances, immanent to all things, whether abstract or concrete.The ultimate ground of reality can be emulated and invoked; can be summoned, and made near.

Thirdly, it follows that contact with the ultimate ground of reality is a matter of apprehension and understanding – a matter of ontological models and ontological nous: of knowing, and knowing what you are doing.

Fourthly, for the foregoing reasons, it is immensely important that the ultimate ground of reality be recalled and invoked to the greatest degree by the wise, and be made proximate in the world to the utmost. Not as a merely pious observance, but as a vital part of religious activity. The arguments leading up to the insight that the ultimate reality is a place which transcends the logic and order of the physical world, where things which happen seem to be impossible within the logic of that physical world as explored within the Platonic dialogues (motion and change), mean that the ultimate ground of reality makes difficult or even impossible things possible. Contact and transaction with that ground of reality is therefore imperative if temporal power of any kind is desired.


Magic and Ontology in Ancient Greece

Numerous theories of magic have been given some kind of life since the late nineteenth century. The one which has had the most influence is of course Frazer’s theory of sympathetic and contagious magic. It is not clear from The Golden Bough in which the theory is described that other possibilities have been discarded. However other possibilities have been discarded. Wittgenstein objected to Frazer’s general picture of ancient society on the grounds that it made ancient man stupid; unable to make distinctions between fallacious notions and plausible ones, which are  (as we think) relatively easy for us to make. 

In Frazer’s prize-winning late nineteenth-century essay on the development of Plato’s theory of Ideas, it is clear why other possibilities are not considered: for Frazer Plato’s ontology is merely a projection of subjective categories, and not in any way a proper apprehension of reality. The reason for this judgement is that Plato is not concerned with the same realities as Frazer – i.e, epistemological questions about the physical reality which is the concern of the scientific and technical enterprise of the late nineteenth century (he makes this view explicit). Plato’s ontology is about what Plato considered (subjectively) important, and is not subject to falsification. Frazer as a consequence did not consider the Parmenides to be an important dialogue from the point of view of understanding Plato’s philosophy, and considered that many of the questions discussed in that dialogue (and elsewhere), were merely ‘popular questions of the day’.

There is some truth in the proposition that Plato’s ontology is not subject to falsification. If Plato’s ontology is erected on the basis of an earthbound logic applied to abstract questions, rather than observation and experiment, then it cannot be subject to falsifcation in any strictly scientific sense. But we are not concerned here with a scientifc sense of falsification, but rather a logical one. The ontology  (essentially a theory of Being) which emerges from the dialogues of Plato is expressly an ontology which is apart from any human and earthbound interest – it may be about ‘the Good’, but that ‘Good’ is not necessarily good in any terms a human being can easily understand. This ontology does not feed any human, subjective and pre-existing model of reality – instead (to the consternation of scholars looking for a purely pedagogical purpose to the Platonic dialogues) it violates it to the maximum degree. The arguments explored in the course of the dialogues often destroy the validity of views and opinions which seem to be plain common sense.  The logic used to reach these positions necessarily invalidates itself in the course of argument, and the nature of the ultimate reality 'established' as a result of these arguments expressly violates any subjective and pre-existing ontology in the mind of the inquirer. Therefore the charge that Plato confounded a subjective ontology with an objective one is unfounded.

As for the Frazerian theory of magic, which he seemed to think was applicable to the ancient world as well as to the ’savages’ who peopled nineteenth century anthropology, it is expressly based on Locke’s seventeenth century theory of the association of ideas (Frazer’s world view was thoroughly enlightenment and Lockean)  – it presumes the absence of  a model of reality based on an ontology which has a theory of Being as its core. It is an appropriate theory therefore if the the notion that Plato was dealing in theology is imaginary.  However if the Platonic theology is not imaginary, then the Frazerian theory of sympathetic and contagious magic is not appropriate for an analysis of the world of ideas in Greek antiquity.
Magic outside the world of the credulous depends for its possibility and efficacy on an ontology which makes participation possible. We do not have to accept this logic, but it is important to understand that magical relationships between things were considered to be a consequence of the ontology which supports participation between things which are separate at the level of physicality. Magic may be practiced by those who know little or nothing of the ontology which gives the practice plausibility and its logic. However those who know of the basis of the logic in the ontology have greater power because they know what they are doing (cf Plato’s remarks on magic performed by prophets and diviners in the Laws).

In the Renaissance those who were enthused by the writings of Plato understood there to be an ontological basis to the principles of association between objects, and presumed that this was understood by the Greeks. This has been seen to be implicit in the texts of the dialogues at various times in the history of their critical interpretation. Almost none of the contemporary academic discussions of the ancient world depends on the existence of an ancient ontology which is based on a sophisticated theory of Being.

The study of the thought of the ancient world requires that our understanding of ancient theology and ontology is clarified, so that we understand that, whatever Plato or other authors may say, we should not presume that they are making the kind of mistake which Frazer and his successors suggested that they made. The ancient ontology may be faulty, but whatever might be wrong with it, plain stupidity is not the souce of the fault.

In attempting to understand the subtle distinctions between the varieties of religious ritual, craft and art, and understand where an action, statement, formula or construction is shaped by an ontology and its understanding rather than some other cause, we might follow Aristotle in looking at the cultural production of the past in terms of four separable causes – the ontological (or final cause), the efficient, the formal and the material. Cultural productions which depend on a theory of Being are productions which are those produced in the context of an ontological theory, and an understanding of that theory. It matters little whether that understanding is accurate and well-informed or not – what we are looking for is the tell-tale signs in the production which mark these items as evidence of a contextual theory of Being. 

It is however quite common for these tell-tale signs to appear in periods where there may be no understanding of ontology at all – in which case the physical evidence tells only something about the intellectual history of its origins. For the understanding of the intellectual stature of those times, other evidence is necessary.


Beyond Motion and Change 

The theology which makes participation a vital part of the universe (since the One gave rise to the Many) also in some of its arguments suggests participation (and motion and change) to be impossible (cf. the argument in the Sophist about whether or not forms may participate if they are unchanging). At a certain point in the development of theological ideas, therefore, a premium would be placed on the devising and isolation of methods in which participation with the ultimate ground of reality would be maximised without motion and change. In other words, importance would be placed on the development of techniques to make participation efficacious which did not depend on motion and change - two things which appeared to be illusory. Hence the ideas of completion and perfection became central to religious practice.

 The ideas of completion, perfection, limit, and end were closely associated. They were however not the same, though they could, according to standard practice in ancient Greece as elsewhere in the ancient world, stand in for each other metonomously, or metaphorically. Participation was made emphatic by achievement of these states. As Aristotle wrote, each end is the thing for which its component parts exist. There are many ends for which things exist, but there is one ultimate end for which all exists (Plato made this idea explicit by saying that ‘you exist for the end, and not the end for you’). By extension, it is clear that the lesser ends exist for the final end of all things (the Good, or the ultimate ground of reality). Each end has characteristics in common with the ultimate ground of reality, and this is a mode of participation with that ground.  Thus, the limit of a thing, or the reaching of its end, or the completion of an action, or the achievement of a perfect excellence in anything is in effect, within the ontological model which depends on a theory of Being, the opening of a high-road to the ultimate ground of reality.

This is suggestive of a deep-seated unity behind a number of disparate phenomena. Excellence, declared by Aristotle to be something performed for its own sake, now has a clearer rationale (one which was always implicit in the Ethics where he makes clear that the highest virtue is contemplation, which makes men like the gods – at least according to the argument of his book). An excellence performed is implicitly performed for the most perfect excellence, and can be seen as an act significant in the context of a theory of Being. A property of the transcendent end is emulated by the performance of the excellence, and a bond is thereby established. Excellence has an explicit theological context to Aristotle, and is not confined to the secular world.

This leads us to the idea of ‘binding’ as it was understood at the time of Ficino’s revival of Platonism. Several concepts cluster around this idea, which is closely related to the ideas of participation and joining, and ‘harmonia’. Binding is the act of  opening a connection with the ultimate ground of reality through the establishment of a mode of participation, and by so doing, the agent of the action enters territory where possibility of thought and action are magnified. This can be achieved in a number of ways, including the precise performance of an appropriate ritual, the performance of an appropriate sacrifice - at the appropriate time, for the appropriate reason, and to the appropriate divinity (amplified by multiplicity of sacrifice, or by a more acceptable victim), the correct and complete recital of a liturgy, the consultation of an oracle, the honouring and worship of a god according to the proper styling (the god having a special kind of completion as a an attribute). The correct and appropriate distribution of the shares in the sacrificial animals among the community is also the performance of a special (as opposed to the ultimate) excellence.

The act of sacrifice itself represents the act of ‘binding’ within the ontological model. That is, whereas it has been presumed that the act of sacrifice is to be interpreted as an act of giving to the god, and receiving in terms of the distribution of the parts of the body of the sacrificial animal (as it must have been interpreted by those not privy to the ontological justification in antiquity), in fact it can be understood as a form of completion given to the animal at the crucial moment of slaughter.















Sunday, 18 February 2018

How the Sacred and Profane Worlds were Joined



This is an abridged and retitled version of a chapter in The Sacred History of Being, which explores  interconnections between earthly and Divine realities in antiquity. A key thing to observe is that the idea of such interconnections is established on logical grounds. The reality of the Divine world is inferred, on the basis of the visible imperfections of profane reality, but the two worlds must be connected in some way if reality itself is not to be necessarily irrational in nature (this also was argued on logical grounds). Establishing the connection between the worlds was a major preoccupation in antiquity: things should ‘meet and agree’. 

The original chapter contained footnotes, which I have removed for ease of reading. I’ve reduced the number of modes of connection which are discussed also. The essential argument of the chapter however remains the same.

TY February 18, 2018.

***
Since the world of the divine is a transcendent reality, the nature of that reality is not going to conform to our secular understanding of the existent world. This is an important point, which would have been considered in antiquity. Thus, there is no reason to presume that extension is represented or has reality in the same way in which extension exists in normal space. There is also no reason to presume that time is represented or has reality in the same way in which time exists in the secular world (the secular world being, by definition, the world of time, or the world existing in time). 

Almost every aspect of the world of existence will have a different nature in the divine world, to the point where we would find it difficult or impossible to establish the connection between one and the other. We are not accustomed to imagining that the ancients thought in such terms, except perhaps within the Academy, or within Parmenides circle.

There are many conceptions which are associated with the divine reality. This may seem a strange way to understand the world of the divine. But it is no more a species of imprecision to do this than it is to create a pantheon of gods, all of which have something of the divine about them. The problem with the divine is that it is forever beyond our capacity to fully understand, by definition. Therefore we can only say things about it from a particular point of view, at a particular time, and under certain circumstances. All within the limitations of the human understanding. Beyond that our interpretation is more or less imperfect. This means that our understanding of the divine is forever contingent – in essence a species of conjecture rather than full understanding.

This is a difficult idea to communicate, given the last two thousand years of theological speculation, and religious struggle in the world. It may seem an unimaginable idea – that the theological ideas of the ancient world were understood to be conjectural, and ultimately contingent on the limitations of the human understanding.

For us, even before the advent of the empirical approach to knowledge during the European enlightenment, we attempted to construct our notions of the world and what is real on what could be established as far as possible, whether what was established was on the basis of logical inference or deduction, on the basis of experience, or was revealed to us by the divine. Conjecture might have been tolerable (or even encouraged to an extent) within the church school and the seminary, but only in so far as it was desirable that scholars produced by religious institutions should be able to use their critical faculties to the best of their ability, in the service of Church and state. But in the end, conjecture is not something we generally wish to face as an important component of our picture of the world.

In constructing ideas of the gods, and creating images of them, the ancients were engaging in the enterprise of framing their understanding of the divine world. They did this on the basis of the idea that the realm of reality (which we have spoken of as Being earlier in this essay), being unchanging in its nature, must still stand behind the world of appearance and existence. This latter world is an image of it, but is not a perfect representation of it. The realm of reality embraces it, but the world of appearance and existence is necessarily a lesser world. However, because it is a good semblance of it, there must be the possibility of aspects of the realm of the reality being manifest in the world. On the basis of their ideas about the nature of the divine, of the supremely perfect Being, we might ask what they would look for in the world which would represent the presence of the supreme Being, woven all through the world, as the soul is woven all through the world in Plato’s model. They would ask: where is it? What shape does it have? How big is it? What properties does it have? And so on.

This is an incomplete list of items which were identified in antiquity as representing what we might term ‘bleedthrough’ from the divine reality. These were things which were regarded as of great importance – in a sense, of more importance than the gods themselves, in that they were aspects of the divine which had reality in our world, and did not depend to the same extent on human conjecture. They are therefore more profoundly real than the gods.

1. Limit: Before the idea of Being, there is no reason to have a sophisticated attitude to limit. One can have the idea that things are separate from other things, or must be separate from other things, and that there is a point of demarcation which marks off where one thing ends and another begins. It is also possible to have the conception that it might be desirable or even necessary to move from one side of the limit to the other. It is also possible to imagine the divine as having existence on the other side of a limit, without there being anything very sophisticated in the conception. A sophisticated conception of a modus operandi of contact with the divine however will not emerge from this, until an intellectual basis for there being a reason why things should be connected is understood. Before Being, one side of the limit or border is the concern. However, once the idea of Being is in play, then the limit itself becomes the focus of interest. The existence of a sophisticated idea of Being means that what exists is understood to be less real than reality itself (the idea of Being from St Anselm onwards was not very sophisticated).

2. Perfection: Before the idea of Being, talking of perfection is focused on the subjective notion of perfection, and the term is used either rhetorically, or refers simply to quality of workmanship or quality of action. It has no bearing on ideas relating to the divine, or to reality. The idea may however be extended to application to the divine and to the gods. By analogy, something which has great perfection will come to be understood to transcend other objects or works of a similar kind, and this transcendence will come to be applied to the divine. It is however a long step to realizing that a proposed perfection means that the divine is actually unintelligible to us, and that the divine is Being itself, beyond any fixed or rigid attributes. Perfection as a quality which may actually connect with the divine, rather than merely showing transcendence of other lesser perfections, is an idea which is dependent on the concept of the divine as Being.

3. Completion: The idea of completion is related to the idea of perfection, particularly in connection with the nature of the divine. However completion as a concept relates more closely to the idea of limit, in that it is a property of the concept of Okeanos in Greece, and the all-enveloping Apsu in Mesopotamia. It is an interesting concept in connection with the idea of a circle, since it is impossible to determine the beginning or end of a circle, at least when it is unbroken. The concept may be used in a great many ways, from indicated the completion of a form, nature, or the performance of ritual and liturgy, and so on. It might also be used to indicate the end of a life, or a process. What is completed has some property in connection with the divine, some participation with it, in that the realm of the divine must be complete as opposed to the world of existence, which is incomplete in its general nature. I suspect that the idea of completion was one of the first mundane properties in the world to be identified as a potential access point to the divine world.

4. Excellence: Excellence is a concept which the Greeks had a particular interest in, but it is an idea which, like the ideas of completion and perfection, is referred to throughout the ancient world. To excel is to exceed something. So something which possesses excellence transcends the excellence of some other thing. This is its comparative use, but it is also used intransitively, so that something can be said to have a special excellence of its own, irrespective of the qualities of other things. Hence its use by Aristotle in his moral and ethical treatises. Ultimately it is about transcendence, whether of oneself or of other things. The world of the divine is both more excellent than the secular world, but it also possesses a special excellence of its own. Excellence is something which exists in the world of existence which has a connection with the reality which stands behind it.

5. Greatness: the idea of greatness as we have seen an idea which was pressed into service in the Middle Ages to try to prove the existence of the supreme Being. Greatness is naturally something which the human understanding would wish to associate with the supreme Being. It has been in the past associated with the gods – Herodotus refers to the rituals associated with the cult of the great gods on Samos, without going into any detail, which is frustrating. The great gods were known as the ‘Kaberioi,’ which indicates a near eastern origin for this cult, since kbr is the semitic root for ‘great’. Great however is an imprecise term, merely indicating that these gods transcend other gods, or that that their special excellence is their greatness. It is however an appropriate term to describe men who might be classed in this way, who, through the quality of their greatness, on the field of battle, in their wisdom, and a thousand other attributes, might be understood to have some empathy with the gods.

6. Justice: the focus on justice in the ancient world in general, and not simply among the Greeks, might indicate to the cynical modern sensibility only that justice was in short supply. It might indeed be the case that it was much referenced precisely because there was little access to it. However the discussion of the subject in Plato makes it clear that it is an idea which has its place in this exploration of the earthly corollaries of aspects of the divine nature which have some form of existence here on earth. Justice was presumed to be something which was perfected in the divine world, but justice in the secular world is a different matter. The very nature of the world of existence means that justice – true justice is unobtainable. What we can access is a poor copy of something which can only exist elsewhere. It is interesting that both in Mesopotamia and in Greece it was the Sun god (Shamash and Apollo respectively) which were responsible for the dispensation of justice on earth.

The gods might know what is just, but our capacity to discern it is limited, and the dispensation of justice by the gods is sometimes hard for man to understand and accept. One of the images of the dispensation of justice, is of the participation in battle of the sun god. Assyrian reliefs show Shamash hovering above opposing forces in the winged circle. The meaning of this is at least two-fold: the god is involved in the outcome of the battle, which represents a way of dispensing just decision; and the to-ing and fro-ing of battle represents the difficulty of apportioning justice in the world of existence. It also means that the engagement in battle was understood by kings, priests and generals as a legitimate way of establishing right. In Homer, there is a famous passage where opposing forces are described as being bounded by ropes, which are pulled this way and that in the course of the battle.  These ropes are also found in the iconography of Shamash.  The underlying idea is the same.

7. Proportion: aspects of the divine reality can exist in the secular world expressed in terms of proportion. Thus, in a figure, a side which bears a proportionate relationship to another side, can be regarded as an image or representation of it, in a way similar to the understanding that the image of a god bears a relation to the god itself. Proportionate relationships in a structure, object or image could therefore be used as a way of enhancing the meaning of images and representations which bore a relationship with the divine reality. This is an enormous subject, worth a monograph on its own.

8. Purity: Purity is an attribute which might be associated with the idea of perfection, and often was. But purity can be attributed to things in a different way – not everything which is pure is to be regarded as a perfection. Something which is perfect is just that. Purity on the other hand, is an attribute which can be put on and put off in a way which perfection cannot.  This distinction is of great importance in the Assyrian and Babylonian contexts, since in order to create divine statues, the craftsmen required to be given a temporary divinity. Thus the purity, a temporary perfection, can be put on for the purpose of the work. This was achieved through the perfection of the appropriate ritual. Afterwards it was removed by the performance of another ritual.

9. Wholes and Totalities. Things which are whole are regarded as participating with one another, in that they share the property of wholeness, or totality. This idea is a strong pointer to the essentially subjective nature of the model of the world in which these things are important, since the wholeness of something is sometimes attributed, rather than being a property of an entity. There is a doctrine associated with wholes and totalities, which is attributed to Pythagoras. It is also referenced by Plato. The doctrine however is much older than the middle of the first millennium B.C.E.

Those are nine phenomena which can appear in the world of existence, which were understood to allow and enhance connection with the divine reality which stands eternally behind the physical world. This is an edited list, but it is sufficient to illustrate what was in the mind of man attempting contact with the divine.

Other things which we might consider, which were of great importance in the ancient world, include the idea of reduplication, principally of concepts, attributes and properties. The point of reduplication is emphasis. Two collocated symbols, meaning the same, could be understood to double the power of the image and the connection.

Another related idea is ‘collection’, sometimes expressed in ancient texts as ‘heaping up’. This refers to the bringing together, usually of good things (but not always), sometimes in the context of an altar and a priest. There may be several reasons for creating such a collocation, depending on the objects involved, but ‘heaping up’ is a good thing in itself, if the intention of the supplicant is to multiply and reduplicate the offering. It is obvious from the study of ancient iconography that many images are reduplicated directly, in a way which does not amount to a purely aesthetic distribution of images, and in addition, the meaning of symbols and tableau are reduplicated using different images. The effect is of reduplication, and to make such assemblages identifies to the informed viewer, what is the same among what is apparently different. These assemblages are of course addressed to the gods, and the divine.

Another action which was understood to convey an aspect of the divine world in the physical world is ‘division’. This concept is very closely associated with the ideas of justice and of decision, but it is possible for division to be separated from these ideas, in that division can take place without the wish or need for justice, or of decision. At least in terms of our modern understanding of what justice is. Ultimately the connection between the ideas is about ‘good order’, and ‘meeting and agreeing’.

The association of justice and the power of division with kingship is very strong in the ancient near east – the sun god Shamash is often represented as holding a saw, and the Egyptian kings were also represented with the symbol of the Neteru (axes). In both cases, the instrument for deciding the fate of anything is clearly not a weapon but a tool (though weapons of war also were understood as legitimate tools of the gods). If it is possible to understand the creation and generation of the world as a decision of the gods, then the nature of reality has been divided, at least insofar as there is now a world of existence which has descended into secular time, and which is cut down from Being itself. The power of kings to deal justice comes from their participation in the nature of the divine Being, though they live and function in the world of existence.

Division is also important in gaining an apprehension of what is real and what is not, and in understanding how one thing is different from another. Ultimately it is the basis of logic and classification which we find in developed form among the Greeks in the middle of the first millennium B.C.E. Sumerologists were puzzled to find tablets listing things together which to us had no meaningful connection, such as a large list of objects which have the property of ‘being white’. To the Sumerian scribe who assembled this list, the characteristics of whiteness would have determined the worth of the list. The items were separated out from a (hypothetical) list of all known items, and collected together as a classification of items of the same property. These properties are in a sense subjective, but only because we do not know the function of white objects in the Sumerian model of the world.

Another notion of great importance in antiquity is the idea of ‘drawing near’ to a god. This might be represented by proximity to an altar or symbol of the god, or by the device of showing the supplicant being introduced to the god by a third party, whether another god or by a priest of the divine cult. There is however a technical idea behind this concept. The idea is that by being near, you already participate in the nature of the god, to a limited extent. The connection is open, even if transaction with the divine is not in operation. Drawing near can be achieved through a collocation of offerings, through benefactions to the priesthood and the temple, through other good works, the virtue of the individual, and so on.