Monday, 5 March 2018

Patterns of thought in Late Neolithic and Early Bronze Age Britain




 Abstract: Pythagorean elements detected in megalith circles in ancient Britain have no easy explanation, and precede 1st millennium Pythagoreanism by an extraordinary period of time. This paper explores the idea that there is a connection between some core Pythagorean mathematical and geometrical concerns, and ideas of divinity and Eternity.  On the basis of a close examination of Pythagorean ideas in the 1st millennium, for which we have extensive documentation, It is suggested that this connection is a logical one. It is therefore possible that similar conclusions were arrived at in the Late Neolithic and in the Bronze Age.


1 The Longevity of Ideas

We often underestimate the longevity of patterns of ideas. Sometimes when they are linked to a religious or theological structure, they can have a very long existence. Though much of modern knowledge about the physical world has been developed since the European Enlightenment, there are still ideas around which have persisted with very little change, since the first millennium BCE. Hinduism is still much as it was for example, as is Buddhism. Later religions such as Christianity, built as it was on the Old Testament, preserves many aspects of Hebrew ideas [Christ is made to paraphrase YHWH’s statement in the OT that he is ‘first and last, and beside him there is no other god’, by characterising the divine as the ‘alpha and the omega’].

In short, there are still religious ideas and formulations around in the world, and contained in the human mind, which are more than two and a half millennia old. And in some cases, much older than that. Languages and peoples may change, but ideas are sometimes much slower to change, and may survive alteration of language, people, and material culture.

This paper explores a hypothesis: the hypothesis that some ideas which we habitually consider to be around two and a half millennia old, are in fact much older than that. These ideas find powerful expression in Pythagoreanism, written about by both Plato and the later Neoplatonists. Looked at in the Greek context alone, this body of ideas extends over nearly eleven hundred years (if a floruit of the mid sixth century BCE for Pythagoras is correct), until the closure of the philosophical schools in 529 CE.

It was once conjectured, on the basis of Alexander Thom’s surveys of megalithic circles, that there was a pythagorean element in these constructions in the late British Neolithic, and the early Bronze Age. This idea was later rejected (briefly discussed at the end of this paper). If the suggestion of a pythagorean element was in fact correct, that would push an extraordinary number of key ideas we associate with the 1st millennium BCE back into the Neolithic.

The level of engagement with Pythagoreanism which has been brought to bear on this question has so far not been significant. This paper is intended to provide a more sophisticated understanding of what Pythagoreanism implies, and how such an understanding can inform what sense we can make of such a very distant past.

2 Pythagoreanism in 1st Millennium Britain

We have Greek and Roman sources for the supposed origins of Pythagorean modes of thought. These point in different directions. We have the story that Pythagoras was present at the fall of Babylon in 539 BCE, and he is also supposed to have spent some time in Egypt, learning from the priests. On the other hand, we have information about the beliefs of the Gaulish priests from the mid-first century BCE, in the wake of Julius Caesar’s campaigns in north western Europe. Caesar described the Gauls in his Commentarii de Bello Gallico, [The Gallic War], book VI.


According to Caesar, the Gaulish priests were concerned with "divine worship, the due performance of sacrifices, private or public, and the interpretation of ritual questions." He also said that they played an important part in Gaulish society, being one of the two respected classes, the other being the equites (the Roman name for ‘’knights - members of a privileged class able to provide and equip horsemen). They also functioned as judges in disputes. Among other interesting details, Caesar also said that they met annually at a sacred place in the region occupied by the Carnute tribe in Gaul, and that Britain was the home of priestly study. Caesar also said that many young men were trained as priests, during which time they had to learn large amounts of priestly lore by heart. 

Metempsychosis was the principal point of their doctrine: “the main object of all education is, in their opinion, to imbue their scholars with a firm belief in the indestructibility of the human soul, which, according to their belief, merely passes at death from one tenement to another; for by such doctrine alone, they say, which robs death of all its terrors, can the highest form of human courage be developed”. He also tells us that they were concerned with "the stars and their movements, the size of the cosmos and the earth, the world of nature, and the powers of deities". So the components of their religious cult involved the study of theology, cosmology, astronomy and natural philosophy.

Alexander Polyhistor described the Gaulish priests as philosophers, and explicitly called them ‘Pythagorean’ on account of their understanding of reality. He wrote that "The Pythagorean doctrine prevails among the Gauls' teaching that the souls of men are immortal, and that after a fixed number of years they will enter into another body."

Diodorus Siculus, writing in 36 BCE, also said that the Gaulish priesthood followed "the Pythagorean doctrine", that souls "are immortal, and after a prescribed number of years they commence a new life in a new body."

There are other descriptive references to the Gauls and their religion from antiquity, but it is not necessary to review all of them here. These are the main evidential details we have for the presence of Pythagorean ideas in Gaul and in Britain in the last two centuries of the 1st Millennium BCE. It is likely that both Polyhistor’s account and the account of Diodorus Siculus drew on the source used by Caesar.

3.The Principal Sources for Pythagoreanism

The preceding descriptions are usually all that is mentioned when religion in Gaul and in Britain before the arrival of the Romans is discussed. This is because we do not have written records from Gaul or Britain from earlier times. And so this is where historical discussion usually stops. The rest of the story of these cultures becomes a matter for archaeological investigation.

However, we need not stop here, looking at nothing. Much of what we know about the other philosophical details of the Pythagoreans is quite extensive, if not always consistent across the range of sources.  There is a life of Pythagoras by Iamblichus, and another by his pupil Porphyry. A life of Pythagoras by Diogenes Laertius also contains useful information. Plato and the later Platonists wrote in detail about Pythagorean doctrine, if not always being explicit that they were referencing his ideas.

Plato is the best place to start. He had the concept of an inner and outer knowledge, which reflects something of a priestly understanding of both teaching and of reality. He referred to these grades of knowledge as ta eso and ta exo In the Theaetetus. Which means that teaching operated at two levels – the exoteric and public level, and another which was esoteric in nature.

Esoteric knowledge is by definition obscure, and/or difficult to understand. Which is what the story of the prisoners in the cave in Plato’s Republic is all about. They see the shadows of reality on the wall before them, but not the reality itself. When they are released with suddenness, their reason is deranged by the experience. Instead they should have been released gradually, being shown details of reality first, without the whole of the shocking truth of reality being given to them all at once.  Plato was engaged with both exoteric and esoteric understandings of knowledge, but mostly what he tells us about is an esoteric doctrine, which explains what is hidden and obscure, and relates to the gods, and what is divine. As one might expect, the rules for the gods are different.

4 The Core of Pythagorean Doctrine

In the Timaeus Plato refers to a principle of wholes, or totalities. It is later mentioned by the Neoplatonist Porphyry as a Pythagorean doctrine, and Pythagoras is supposed to have learned of it in a lecture in Babylon, after the fall of the city to the Persians in 539 BCE. The doctrine is of course, very much older. It can be detected in the Iliad, in Bk 18, where Hephaestus makes objects which, on account of their nature, can pass into the counsel of the gods, and return. The principle might, as Porphyry suggests, have been brought back to the west by Pythagoras after his spell in the east, or it may already have been part of a body of ideas already well established in Italy and in Greece. The principle might be simply put, as ‘things which are total participate in totality’, in the same way that Plato declared that ‘greatness is participation in the great.’ But it is so much more important than a statement that wholes conjoin with one another. It is the essence of the ascent from image to image to an apprehension of the Good which Plato refers to in both the Timaeus and the Republic.

Each of these images must represent or embody an aspect of what Plato referred to as ‘the Good’. Each of the images must allow the supplicant to pass from one to the other via their essential identity. What varies between them is the degree of their participation in the Good. Plato is very clear that the viewer of the images must be able to pass along the chain of images in either direction. The chain of images is not therefore purely about gaining an understanding of the Good (meaning the divine, or Being itself), either in reality or figuratively. Passage through the chain of images is about both the transcendence of images or forms, and about the descent of Being into the world of generation, as a generative power. The images are constructed in the way they are in order to reduplicate and re-energise the power and presence of divine Being in the human world. For man, this might be seen as an act of worship or observance of what is holy, but it can also be understood also as a form of theurgy, even if the technical term post-dates classical Athens by several centuries.

In the Timaeus [30a-b], Plato speaks through Timaeus, saying:

For God desired that, so far as possible, all things should be good and nothing evil; wherefore, when He took over all that was visible, seeing that it was not in a state of rest but in a state of discordant and disorderly motion, He brought it into order out of disorder, deeming that the former state is in all ways better than the latter. For Him who is most good it neither was nor is permissible to perform any action save what is most fair. As He reflected, therefore, He perceived that of such creature as are by nature visible, none that is irrational will be fairer, comparing wholes with wholes, than the rational….

Plato, in using the phrase ‘comparing wholes with wholes’, is referring to the principle of wholes and totalities mentioned in Porphyry’s account of Pythagoras.

Pythagoras is said by Porphyry to have associated with the ‘other Chaldeans,’ after he mentions his conferring with the king of Arabia. The current academic view is that the Chaldean dynasties were essentially Arab dynasties, and that they were in control of Babylon at this time.  This helps to confirm the reliability of some of the detail in this important passage, written so long after the lifetime of Pythagoras. 

What did Pythagoras take from his long sojourn in Egypt, and the near-east? Is his doctrine like Plato’s? The point of the doctrine of wholes and totalities, is to establish connection between the divine world and secular reality. Porphyry’s account tells us that:

He cultivated philosophy, the scope of which is to free the mind implanted within us from the impediments and fetters within which it is confined; without whose freedom none can learn anything sound or true, or perceive the unsoundedness in the operation of sense. Pythagoras thought that mind alone sees and hears, while all the rest are blind and deaf. The purified mind should be applied to the discovery of beneficial things, which can be effected by, certain artificial ways, which by degrees induce it to the contemplation of eternal and incorporeal things, which never vary. This orderliness of perception should begin from consideration of the most minute things, lest by any change the mind should be jarred and withdraw itself, through the failure of continuousness in its subject-matter.

To summarise: the principle of wholes can be understood as a logical modality which connects the world of the mundane with transcendent reality. The definition of transcendent reality in Plato (articulated by Socrates) is that it is a place beyond shape, form, size, etc., and occupies no place on earth. It is however the place where knowledge has its reality (the ‘eternal and incorporeal things’ mentioned by Pythagoras). Connection with transcendent reality is possible by the likenesses to the transcendent which have existence on earth, such as things which are complete and whole, which therefore participate in the completeness and wholeness of the transcendent reality. Completeness and wholeness require (in the world of the mundane) delineation and limits, and so the limits and the extremes of things are also things which participate in transcendent reality.

The principle of ascent to the ‘eternal and incorporeal things’ in the doctrines of both Plato and Pythagoras, is entirely a mental process, which does not involve any of the senses. It proceeds via chains of similitudes, both up and down, as a sequence of orderly perceptions. The goal is a form of communion with that which never varies, and which is always one and unchanging, as Plato tells us in the Sophist. The return from the communion with the Good delivers beneficial things, because the Good is the source of all knowledge.

5 Diogenes Laertius on Pythagoreanism

Diogenes Laertius is generally not regarded as a great historian of the philosophy of the ancient world, but his Lives of the Philosophers is the only general account which survives from antiquity. We get snippets from elsewhere, but not the comprehensive sweep that he gives. He does not always have good materials, or understand them well.  But with his writing on Pythagoras, we get something different. He is working with some very good materials indeed. His date (actually quite uncertain) may be contemporary with the Neoplatonists who also wrote about Pythagoras, and possibly he is using the same now long vanished materials, since he reproduces the same sort of inconsistencies of detail which appear in Iamblichus’s Life of Pythagoras. These inconsistencies, mainly concerning religious observances, may be explained by the fact that the core of Pythagoras’s doctrine isn’t about these things at all, but about an agrapha, or ‘unwritten doctrine’, revolving around deeper matters.

As already mentioned, it was a popular opinion in antiquity that Pythagoras did not write any books – “There are some who insist, absurdly enough, that Pythagoras left no writings whatever” [D.L., Book VIII, 6], however Diogenes says that ‘Heraclitus, the physicist, almost shouts in our ear, “Pythagoras, son of Mnesarchus, practised inquiry beyond all other men, and in this selection of his writings made himself a wisdom of his own, showing much learning, but poor workmanship”’. Heraclitus therefore seems to recognise the disparate origins of the material used by Pythagoras (in his book On Nature), and feels that it has not been worked properly. Diogenes tells us that Pythagoras wrote three books altogether, which were (since we no longer have them): On Education, On Statesmanship, and On Nature. Other works were also attributed to him [D.L., Bk VIII 7]. 

Diogenes appears to have had access to the three Pythagorean texts, or extracts from them, or perhaps from epitomes of them, since he talks about the contents [D.L., Bk VIII 9-10].   He says that Pythagoras was understood to be the first to speak of the idea of metempsychosis – he declared that “the soul, bound now in this creature, now in that, thus goes on a round ordained of necessity”. D. L. says that ‘so greatly was he admired that his disciples used to be called “prophets to declare the voice of God” [D.L., Bk VIII 14]. 

The books seem to have been kept secret, since Diogenes says that “Down to the time of Philolaus it was not possible to acquire knowledge of any Pythagorean doctrine” until Philolaus “brought out those three celebrated books.” Diogenes says that Plato sent a hundred minas in order to purchase these texts  [D.L. Bk VIII 15]. He cites Aristoxenus in the tenth book of his Rules of Pedagogy “where we are …. told that one of the school, Xenophilus by name, asked by someone how he could best educate his son, replied, “By making him the citizen of a well-governed state.”’ This is of course the clearest anticipation of Plato’s interest in education.

Diogenes relates some details, not always in agreement with each other, of the religious nature of Pythagoras' philosophy: “He used to practise divination by sounds or voices, and by auguries, never by burnt offerings, beyond frankincense. The offerings he made were always inanimate; though some say that he would offer cocks, sucking goats and porkers, as they are called, but lambs never. However, Aristoxenus has it that he consented to the eating of all other animals, and only abstained from ploughing oxen and rams” [D.L., Bk VIII 20]. Diogenes relates later that ‘Apollodorus the calculator’ says “he offered a sacrifice of oxen on finding that in a right-angled triangle the square on the hypotenuse is equal to the squares on the sides containing the right angle”.

There was therefore some uncertainty in antiquity about exactly what the religious practice of Pythagoras was – it may not have been consistent in its nature, and it follows that it is possible that some of the practices attributed to Pythagoras, (vegetarianism, avoidance of killing animals, the avoidance of beans, etc.) are not in themselves of essential importance to Pythagorean doctrine, but only seemed so to compilers and commentators in late antiquity.

If we look at some further statements by Diogenies we can guess what the important things in Pythagorean doctrine are. Diogenes says that Pythagoras advised his disciples to say to themselves when entering their own doors: ‘Where did I trespass? What did I achieve? And unfulfilled what duties did I leave?’  [D.L., Bk VIII 22].  This indicates (among other things) the importance of the threshold or limit to Pythagoras.

Pythagoras also urged that the memory be trained. This was also extremely important to Plato, and he regarded the invention of letters to have been a disaster on the grounds that they impaired the training of the memory through making its importance less clear. There were in any case already people in Greece who held large parts of the Homeric poems in memory, since the poems were not committed to writing until the time of Peisistratus (some time after he first became tyrant of Athens in 560 BCE). Memory seems to have been cultivated in Egypt, and was certainly practised (and discussed) in late antiquity in various parts of the Roman Empire (Cicero mentions it, and it surfaces in the work of St. Augustine).

Pythagoras also said that men should sing to the lyre and by hymns to show due gratitude to gods and to good men. He bade men “to honour gods before demi-gods, heroes before men, and first among men their parents”. The principal image here is the gods, who are more important than the demi-gods, in terms of their claim on our worship and honour. Heroes stand in the same relation before men, and our parents stand in the same relation to us. He amplifies the importance of this metaphorical perspective, by saying that men should ‘honour their elders, on the principle that precedence in time gives a greater title to respect; for as in the world sunrise comes before sunset, so in human life the beginning before the end, and in all organic life birth precedes death’ [D. L., Bk VIII 22-4]. 

At one level this kind of metaphor-making looks trivial, which is one of the reasons why little has been made of these passages. However. Pythagoras is setting up oppositions between extremes within defined classes (Gods and demi-gods, who are immortal, Heroes and men, who are mortal, etc.), and making a comparison between them. He is also establishing a line of connection between them. He isn’t just comparing one image with another, he has created chains of images, with one end of the chain representing the extreme of reality (the Gods), and we stand at the other extreme. 

The image of ourselves and our parents might be taken to suggest a parallel with the relation between Gods and demigods. In terms of the relationships implied in the image, the familial image can be understood as a copy of sorts, more or less imperfect, of the relationships between Gods and demigods. We are of course familiar with the Greek Gods and their shocking personal relations with each other, which often suggest an earthly and dysfunctional extended family.

Like Plato, Pythagoras had an agrapha, since some Pythagoreans “used to say that not all his doctrines were for all men to hear” – which is perhaps why it was so difficult to acquire knowledge of Pythagorean doctrine until the indiscretion of Philolaus [D.L., VIII 15-6]. Diogenes authority for this is the tenth book of Aristoxenus’ Rules of Pedagogy. Diogenes draws details of the Pythagorean philosophy from another lost author – Alexander, author of Successions of Philosophers, who claimed to find the following in the Pythagorean memoirs:

The principle of all things is the monad or unit; arising from this monad the undefined dyad or two serve as material substratum to the monad, which is cause...  [D.L., VIII 25].

 This is very like the conception of the Neoplatonists, who argued that in order that the good should remain untainted with generation and change, a copy came into being, which did participate in creation:

from the monad and the undefined dyad [the ‘undefined dyad’ may also be translated as ‘unlimited dyad’, or ‘unbounded dyad’ (the Greek term is ‘aoriston’) spring numbers; from numbers, points; from points, lines; from lines, plane figures; from plane figures, solid figures; from solid figures, sensible bodies, the elements of which are four, fire, water, earth and air. These elements interchange and turn into one another completely, and combine to produce a universe animate, intelligent, spherical, with the earth at its centre… [D.L., VIII 25].

Once again we have a chain of images: the monad and the undefined dyad, numbers, points, lines, plane figures, solid figures, sensible bodies, the four elements. Note that we don’t have the monad included in his sequence – the first image in the sequence is the monad and the undefined dyad, which “serves as material substratum to the monad, which is cause…” 

Each of these conceptions is an imaging of the properties of the monad, one leading to the other, increasing in definition, attributes and properties until we reach the sensible bodies with the properties of fire, water, earth and air, all of which can interchange into one another completely. This chain represents an order of generation, rather than an order of perception.

That each of the sensible bodies can interchange into one another completely is a corollary of the fact that they arise from the undefined dyad. They are differentiations of the undefined dyad, and their fundamental identity resides there. Thus, fire may stand metaphorically for water, earth for air, and so on. The interchange occurs with reference to the monad and undefined dyad, since the combination of the monad and undefined dyad is the fount of all cause, generation and change.

The monad itself is an image, but can have no definition beyond the ‘One’.  The numbers did not arise from the monad itself: for that to happen, something else was necessary. That he does not say that numbers arise from the monad is an important clue towards understanding that not only is Pythagoras speaking in terms of images, but that these images are related to an account of another level of reality, referred to, but not articulated. This level of reality is entirely without rational form, and which has an esoteric nature. Such an account of reality also informs Hesiod’s version of the creation, in which there is an ultimate reality which does not conform to the categories of our understanding (i.e., ‘chaos’).

In addition, there is a strong ethical element to Pythagoras’ life and philosophy, and it is clearly associated with the properties of the threshold, where one thing conjoins with, or turns into another. It would not be unreasonable to describe Pythagoras’ philosophy as theurgic in nature, since he is concerned that man should control his own destiny, and not trust to the gods alone. He also laid down precepts for religious practice and religious discipline, meaning that there was understood to be an efficacious ritual element in the transformation of the human soul.

For example, Pythagoras urged that victims ought not to be brought for sacrifice to the gods, and that worship should be conducted “only at the altar unstained with blood”. In addition, he stipulated that the gods should not be called to witness, “man’s duty being rather to strive to make his own word carry conviction”.  He also said that men should avoid excess of flesh, and that they should respect all divination. Abstention from beans was recommended “because they are flatulent and partake most of the breath of life; and besides, it is better for the stomach if they are not taken, and this again will make our dreams in sleep smooth and untroubled” [D.L., Bk VIII 23-4].

That they ‘partake most of the breath of life’ is an objection to beans seems a little odd, unless by this Pythagoras is indicating that the target of the transformation of the individual through discipline, ritual and understanding is a condition which does not partake of the breath of life. We recall that Socrates in his final moments asked that a cock be sacrificed to Asclepius, which was to mark a return to health – in this case a healing from the trials and tribulations of life. 

Pythagoras seems to have shared this view of earthly life. In vol 2, Bk. VII on Zeno (333-261 BCE, of Citium in Cyprus, a city which ‘had received Phoenician settlers’), we are told by Diogenes that the author Hecato, and also Apollonius of Tyre, in his first book on Zeno, that Zeno consulted the oracle (presumably Delphi) ‘to know what he should do to attain the best life’. The response of the god was that ‘he should take on the complexion of the dead’. Diogenes Laertius takes from his sources that Zeno’s interpretation of this is that ‘he should study ancient authors’. We can see that the true meaning of the oracle was both much more straightforward and much more profound than that.

6 Pythagorean Thought in Italy

Pythagoras was creating an eclectic doctrine, by syncretising elements from different sources. This is what Heraclitus means by saying that the collections of information in the three books are ‘poorly worked’. Not much interest has been shown in what Pythagoras, a long-time resident in Italy, might have drawn from Italian sources. In fact, it would seem that much of what was later passed off as Pythagorean in origin, actually has its origin among the Latins.
 For example, the Romans also had a tradition of veneration of the boundaries and limits of things. Oskar Seyffert says of the god Janus that “even the ancients were by no means clear as to his special significance; he was, however, regarded as one of the oldest, holiest, and most exalted of gods”.

Of course, if the special significance of Janus was close to the heart of Roman religion, an absence of discussion might, rather than signifying a lack of clarity about his special significance, mean quite the opposite, and that the written tradition is quite misleading as to the Roman understanding of Janus, at least within the priestly community.

 “In Rome the king, and in later times the rex sacrōrum, sacrificed to him. At every sacrifice he was remembered first; in every prayer he was the first invoked, being mentioned even before Jupiter”. Which is indication of high status. If we recall the remarks of Pythagoras on what comes first and why, we can see that the significance of Janus is extremely important indeed. This is further emphasised by the fact that “in the songs of the Salii (‘jumpers’ or dancers) he was called the good creator, and the god of gods; he is elsewhere named the oldest of the gods and the beginning of all things.” The Salii were an old Italian college of priests of Mars, said to have been originally introduced at Rome by Numa Pompilius, the legendary 2nd king of Rome. He was said to be a native of Cures in the Sabine country, and was elected king a year after the death of Romulus.

William Smith says that Numa Pompilius “was renowned for his wisdom and piety; and it was generally believed that he derived his knowledge from Pythagoras”. Given that the foundation of Rome is traditionally 753 BCE, this is impossible, since Numa and Pythagoras would have been two centuries apart. However, the fact that later the institutions of Numa were associated with Pythagorean influence suggests that there was a perception of a relationship between the doctrines of Pythagoras and the foundation of Roman religion. Smith continues: “…he devoted his chief care to the establishment of religion among his rude subjects”, and to giving them appropriate forms of worship. He was instructed by the Camena Egeria (Aegeria), one of the twelve nymphs in Roman mythology. Numa later dedicated the grove in which he had his interviews with the goddess, in which a well gushed forth from a dark recess, to the Camenae.

Seyffert continues regarding Janus: “It would appear that originally he was a god of the light and of the sun, who opened the gates of heaven on going forth in the morning and closed them on returning at evening”. Rather, Janus, being the divinity associated with boundaries, is associated with gates, crossings, risings and settings, beginnings and endings, and the daily movement of the sun is the most important visible instance of beginnings and endings. In course of time (Seyffert suggests) “he became the god of all going out and coming in, to whom all places of entrance and passage, all doors and gates were holy” [my italics]. He continues:

In Rome all doors and covered passages were suggestive of his name. The former were called ianuae; over the latter, the arches which spanned the streets were called iani.

Many of these were expressly dedicated to him, especially those “which were situated in markets and frequented streets, or at crossroads”. In the case of crossroads, Seyffert tells us that “they were adorned with his image, and the double arch became a temple with two doors, or the two double arches a temple with four”. The way Janus was generally represented was “as a porter with a staff and a key in his hands, and with two bearded faces placed back to back and looking in opposite directions.”

Further, he is also the god of entrance into a new division of time, and was therefore saluted every morning as the god of the breaking day (pater matutinus); the beginnings of all the months (the calends) were sacred to him, as well as to Juno; and, among the months, the first of the natural year, which derived from him, Ianuarius. For sacrifices on the calends twelve altars were dedicated to him; his chief festival, however, was the 1st of January, especially as in B.C. 153 this was made the official beginning of the new year. On this day he was invoked as the god of good beginnings, and was honoured with cakes of meal called ianuae; every disturbance, every quarrel, was carefully avoided, and no more work was done than necessary to make a lucky beginning of the daily business of the year; mutual good wishes were exchanged, and people made presents of sweets to one another as a good omen that the new year might bring nothing but that which was sweet and pleasant in its train.

 For the Romans, this juncture of the year, like every other juncture over which Janus presided, was a region in which change was more possible, more likely, than at any other time. Therefore, any immoderate behaviour, any departure from the normal daily pattern of life, whether through a quarrel or some other unpleasantness, might easily have taken root, and they might have found their whole lives dislocated as a result.

Seyffert continues that:

the origin of all organic life, and especially all human life, was referred to him; he was therefore called consivius (‘sower’). From him sprang all wells, rivers, and streams; in this relation he was called the spouse of Juturna, the goddess of springs, and father of Fontus, the god of fountains.

7 The existence of Irrational numbers

It is generally supposed that the Pythagoreans understood the world to be rational in nature, and it had long been argued that rational numbers were the product of ratios of other numbers. Their belief in rational whole numbers seems to have been a principal concern, possibly because whole numbers are often commensurable. The ancient assumption that the world was a rational creation, was maintained at least at the level of open public discussion. 

There is however a famous story about the discovery of irrational numbers by the Pythagoreans, and their utter horror at the discovery.  The discoverer of irrational numbers was supposedly drowned at sea, perhaps in consequence of this discovery. In fact, the story is likely to have a quite different meaning at an esoteric level, which I will discuss at the close of this paper.

So how was the Pythagorean proof of the existence of irrational numbers achieved? We should remember that The Eleatic school (home to Parmenides and Zeno, the former of which argued for the One and unmoving reality transcending the world of appearances) attacked Pythagorean doctrine by assuming their opponents' tenets, using the reductio ad absurdum technique to examine their credibility.  The effect of such arguments was to reinforce the importance of the incommensurate in the world of number.

The Greeks attempted to extricate themselves from these difficulties by distinguishing between things which they would have preferred to have been commensurable (numbers and magnitudes), thereby rendering them incomparable. So the diagonal of a square could be regarded as a magnitude rather than as a length equal to the ratio of two numbers. By this means, irrational numbers could be largely ignored (a similar convenient fiction to one devised by Aristotle in connection with infinity, in which he subverted the difficulty of the infinite by dividing it into two:  a potential infinite, and the actual infinite, which could be ignored).

From Thomas Heath:

We mentioned... the dictum of Proclus... that Pythagoras discovered the theory or study of irrationals. This subject was regarded by the Greeks as belonging to geometry rather than arithmetic. The irrationals in Euclid, Book X, are straight lines or areas, and Proclus mentions as special topics in geometry matters relating (1) to positions (for numbers have no position) (2) to contacts (for tangency is between continuous things), and (3) to irrational straight lines (for where there is division ad infinitum, there also is the irrational).

...it is certain that the incommensurability of the diagonal of a square with its side, that is, the irrationality of {\displaystyle {\sqrt {2}}}root 2, was discovered in the school of Pythagoras... the traditional proof of the fact depends on the elementary theory of numbers, and... the Pythagoreans invented a method of obtaining an infinite series of arithmetical ratios approaching more and more closely to the value of {\displaystyle {\sqrt {2}}}roordroot 2.

Thomas Heath was writing at a time (1921) when classicists had very little knowledge of what was coming out of the ground in Mesopotamia and elsewhere, so his certainty that the school of Pythagoras ‘discovered’ the incommensurability of root 2 is a product of that time. He writes:

The actual method by which the Pythagoreans proved the fact that {\displaystyle {\sqrt {2}}}rorrrrrrrrkkk root 2 is incommensurable with 1 was doubtless that indicated by Aristotle, a reductio ad absurdum showing that, if the diagonal of a square is commensurable with its side, it will follow that the same number is both odd and even. This is evidently the proof interpolated in the texts of Euclid as X. 117...  [Heath, T. (1921) Vol. 1 pp. 90-91].

It is a proof based on the law of non-contradiction. However, it is the consequence of the properties of Pythagorean triangles as they are represented to our understanding. The point of this demonstration is that: how things are represented to us is not the same as how they actually are. Or how they are in what we might term ‘transcendent space’.

Heath continues:

We have first the passage of the Theaetetus recording that Theodoras proved the incommensurability of root 3, root 5…. Root 17, {\displaystyle {\sqrt {3}},{\sqrt {5}}...{\sqrt {17}}}after which Theaetetus generalized the theory of such 'roots.'... The subject of incommensurables comes up again in the Laws, where Plato inveighs against the ignorance prevailing among the Greeks of his time of the fact that lengths, breadths, and depths may be incommensurable as well as commensurable with one another, and appears to imply that he himself had not learnt the fact till late, so that he was ashamed for himself as well as for his countrymen in general.

This is interpretation about what Plato is saying which isn’t warranted. Plato was quite plain elsewhere (Republic) that all things may pass into one another, and hence are in some way commensurate. He says this in connection with the Forms. As a general statement, it implies that the same is true for both commensurable and incommensurable numbers. We find ourselves in a strange place where the incommensurate may also be commensurate. Heath continues:

But the irrationals known to Plato included more than mere 'surds' or the sides of non-squares; in one place he says that, just as an even number may be the sum of either two odd or two even numbers, the sum of two irrationals may be either rational or irrational. An obvious illustration of the former case is afforded by a rational straight line divided 'in extreme and mean ratio' (Euclid XIII. 6) proves that each of the segments is a particular kind of irrational straight line called by him in Book X an apotome; and to suppose that the irrationality of the two segments was already known to Plato is natural enough if we are correct in supposing that 'the theorems which' (in the words of Proclus) 'Plato originated regarding the section' were theorems about what came to be called the 'golden section', namely the division of a straight line in extreme and mean ratio as in Euclid. II. 11, and VI. 30. The appearance of the latter problem in Book II, the content of which is probably all Pythagorean, suggests that the incommensurability of the segments with the whole line was discovered before Plato's time, if not as early as the irrationality of {\displaystyle {\sqrt {2}}}root 2 [Heath, T. (1921) Vol. 1 pp. 304-305].



8 Religious aspects of Pythagoreanism

Pythagorean thought is therefore a species of transcendentalism. It is a pattern of thought which understands reality itself (whatever that may be) as a principal concern, and as something which, as it is, transcends mundane earthly reality.

Within this pattern of thought however, earthly reality has properties and characteristics which have counterparts in the divine world. If 'God is Great’ for example, there are earthly examples of greatness, and so greatness is understood to be a property held in common between the worlds. What is held in common was understood by those of a transcendentalist persuasion to offer a connection between the worlds.

In essence the transcendentalist outlook holds that Being, or the ultimate reality, is both transcendent, and also present in the physical world. It is hard to imagine how such a view could arise except as the result of sophisticated logical discussion of the nature of reality. The idea defies common sense, and is counter intuitive.

This view of the world represents a paradoxical understanding of reality, in that the divine both transcends mundane reality, but is also at the same time present in every aspect of that reality. The connections between reality itself and earthly reality are not obvious, and often not easy to discover. The difficulty in discovering the connections is an index of the distance between the worlds. Yet it is possible to discover these connections. Reading the mind of the divine was of course a major concern in antiquity, since interpreting divine intention conferred knowledge and earthly power.

Working on or with the gods (theurgy) is often thought of these days as some obscure form of theological lunacy practised by the Neoplatonists and a few other groups in the dying days of the Roman empire. It is however a very old idea, based on the understanding that the sacred and profane worlds are connected with each other.  It is also built into Plato’s account of the creation of the cosmos (in the Timaeus). The practice of theurgy is a corollary of the transcendentalist outlook, since if reality is transcendent, but we are also paradoxically part of it, then human will and intention are important to the way in which the world works. Physical reality does not represent a copy of transcendent reality, which Plato labelled as a likelihood only, but rather a subjective understanding of that reality *[note 1].

According to this way of thinking, there are processes which we can use to enhance what we have in common with divinity. Most often this was expressed in terms of gaining knowledge of the divine, since the supreme divinity was necessarily the fount of all knowledge (both Plato and the Mesopotamians concur on this point). If theurgy is an important component in early religious practice, it tells us something about how much knowledge was prized at the time, and also something of the scope of that knowledge in antiquity. Unlike homeopathic magic, which theurgy sometimes resembles, the practice of theurgy is entirely dependent on an understanding of Being for its effective use.

9 The Pattern of Eternity

That Socrates says at Phaedrus 247c that he dares to speak the truth concerning the nature of the region above heaven implies strongly that it is dangerous to do so - and after all, one of the charges against him was that he made theological innovations. Xenophon suggests that, though he was not formally charged with disbelief in the gods per se, Socrates was suspected of a form of atheism ["And how could he, who trusted the Gods, think that there were no Gods?" Memorabilia Bk 1 ch.1.5].   To hold the ultimate reality to be virtually indistinguishable at root from chaos, a place devoid of justice, beauty, order, etc., (and without location in time or space) except in potential, would be indistinguishable to the ordinary citizen from atheism. No wonder therefore that Plato writes the ironical words at Tim 40d:

Concerning the other divinities, to discover and declare their origin is too great a task for us, and we must trust to those who have declared it aforetime, they being, as they affirmed, descendants of gods and knowing well, no doubt, their own forefathers.

And at Tim 29a, concerning the model after which the universe was patterned, Timaeus asks:

Was it after that which is self-identical and uniform, or after that which had come into existence?

The latter implies change and disorder; therefore

if so be that this Cosmos is beautiful and its Constructor good, it is plain that he fixed his gaze on the Eternal, but if otherwise (which is an impious supposition), his gaze was on that which has come into existence.

Which is no more than an appeal to common sense. The nature of the arguments which might be adduced in antiquity to explain the world of appearance are, as the Sophist shows, much more complex.

Conditioned therefore both by the difficulty of the subject matter, and the social impracticability of the doctrine, we are forced to work out the doctrine for ourselves. That the method employed to convey the doctrine sometimes created unnecessary difficulties for the understanding, quite apart from its inherent difficulty is shown by the remark at 48c where some matters are not explained:

solely for this reason, that it is difficult for us to explain our views while keeping to our present method of exposition.

Nevertheless, the description of the Receptacle at Tim 50-51 is possibly the clearest exposition in Plato of the Real:

... it is right that the substance which is to receive within itself all the kinds should be void of all forms... that the substance which is to be fitted to receive frequently over its whole extent the copies of all things intelligible and eternal should itself, of its own nature, be void of all the forms... a Kind invisible and unshaped, all--receptive, and in some most perplexing and most baffling way partaking of the intelligible...

If then, Plato's unwritten doctrine (agrapha) placed chaos at the heart of Being, his conclusion would not be out of place among Greek speculations in general as to the nature of the arche: the difference is simply that he underpinned this conclusion with philosophical argument [Compare for example lines 116-128 of Hesiod's Theogony].  These we do not have for the earlier speculations, and therefore it is easy to conclude that they did not in fact exist; that the early speculations were not supported by cogent argument, and that the idea of chaos as the root or beginning of things never was any more than a concrete image of disorder. But Plato himself, putting the argument into mouth the of Timaeus at Tim 30a, uses such a concrete image, saying that God

took over all that was visible, seeing that it was not in a state of rest but in a state of discordant and disorderly motion, He brought it into order out of disorder...

We have virtually the whole of the Platonic corpus: of the earlier philosophers we have fragments like the one above. We should be cautious in presuming the absence of clear reasoning behind images simply because we have no direct access to such reasoning: that we do read concrete conceptions into the concrete images of the Presocratics is partly due to the fact that this was often the practice among the ancients themselves, and partly because, building upon this fragmentary and distorted evidence, we can frame a satisfying scheme in which there is a beginning, middle and notional end to the history of ideas, starting with concrete images and working up to pure abstraction.

10  Pythagorean Syncretism

It is important to recognise that the syncretism of Pythagoras draws on mathematical and geometrical ideas, as well as religious ideas. We normally choose to keep these separate. We imagine that they are separate. However, it is clear from the discussion of Pythagorean mathematics, number and geometry, that they perceived the necessary impact of the various puzzles and paradoxes which investigation of mathematics and geometry had on their view of reality. These were not parlour games.

Pythagoras was putting together a new religion, rather than a secular philosophy. It is unlikely to have occurred to him that a secular philosophy was possible, or for him to imagine what that would mean. We think of Pythagoras as a philosopher, because of how we understand what came after Pythagoras and his school. It is possible for us to so distinguish religion and philosophy, because we have lost sight of some very important aspects of how the gods were understood in antiquity. Pythagoras was well aware of the importance of the mathematical and geometrical aspects of religion, which is why he included them with the materials that we more naturally understand as religious ideas.

We know that Pythagoras drew on many sources for what became known as Pythagoreanism. He is likely to have drawn on both Italian and Greek ideas, and he travelled in Egypt, talking with the priests of the various cults (though we are told that most of them were not much interested in answering his questions); and also in the Levant, Arabia, and Babylon. He borrowed from them too.

We are accustomed to thinking that the intellectual life of these disparate cultures must have been as distinct as their iconography, their mythologies, languages, and systems of writing. But it is not necessarily so. Much of what we think we understand of ancient religion is the product of a more or less modern view, which sees a continuity between the religion of the common era and antiquity. So, since ’rational belief’ concerning the divine, rather than actual knowledge of the divine was (and is) of great importance in the major religions of the common era, it is assumed that ancient religions drew their strength from the same source, and are qualitatively similar phenomena. Modern scholarship is able to hold this view because, since the Enlightenment, we see the phenomenon of religion as irrational. The behaviour which supported ancient cultic life (sacrifice, divination by entrails, the worship of statues, etc.) is clearly more irrational than medieval religious practice, so there is little about it which demands the application of modern critical thought.

If belief is what is important in ancient religion, then we have missed nothing. If however there is a technical substrate to ancient religious thought, a substructure which depends on a combination of logical analysis, number theory, mathematics and geometry, then we have missed almost everything. Such a substructure does exist, and Pythagoras was aware of it, which is why religious precepts, number theory, mathematics and geometry were all present in the three books of Pythagoras.

It is possible to make a list of things which are part of this technical substructure in the religions of the ancient world.  These are:

Extremity, the Mean, Totality, Perfection, Completion, Invariance, Integral (whole) numbers, the Incorruptible, the Commensurate, Greatness, Rising, Setting, Beginning, Ending, Duration, Periodicity, Points of transformation. And so on.

This list illustrates some of the things have exemplars on both the earth, and in the sky. These characteristics would, within this conceptual model of Pythagoras, have been understood to provide points of contact, and a bridge to the divine.

Why would Pythagoras want to create a synthesis of key components of ancient religions? There are many possible reasons, but the most important may be the intention to restore the technical level of religious thought and practice, then experiencing a long slow decline, so that number, mathematics and geometry might serve again, to make sense of the transcendental understanding of reality.

11. Transcendentalism in the Late Neolithic and early Bronze Age in Britain

Can we apply the content of this discussion to the Late Neolithic and the early Bronze age in Britain? If, for the purposes of argument, we make the assumption that just as Pythagorean number, mathematics, geometry, and the transcendentalist outlook were, in the mind of Pythagoras, necessarily connected with each other, these four things would also be present in megalithic culture in Britain and Gaul, for the reason that the missing piece in the record, the philosophical transcendentalism, is the necessary logical consequence of an understanding of number, mathematics, and geometry.

As we know from the studies made by Alexander Thom, the stone circles were built on the basis of various sizes of pythagorean right-angled triangles, and laid out with ropes of precise length. There has been some critical discussion of the ubiquity of the measure he described as the megalithic yard, which measured 2.72 feet, which he established by statistical analysis. However, if Thom identified different standard pythagorean triangles in the construction of different megalithic circles, all of which were based on the measure, then the presence and use of the measure is confirmed. It need not however, have been the only standard measure.

The construction process was designed and executed in such a way that the circumference of the circles, whether elliptical, egg-shaped, or flattened, would always be an integral number of the units used. This interest in integral numbers appears to have been universal among the builders of the circles.  The connectivity the integral numbers opened to transcendent Being is the reason why this was important.

This transcendent reality, understood to lie behind the physical world of appearances and its paradoxes (such as the essential identity of commensurate and incommensurate values), would be the principle focus of the megalith builders interest, and the design of the megalithic structures would have been understood to serve the function of strengthening the connections between the two worlds.  The transcendent world contains what is perfect, and the world of phenomena contains only approximations to such perfections. As Robin Heath pointed out in his account of Thom’s work, Cracking the Stone Age Code, the phenomenal world would have seemed to the megalith builders to be something of a crooked universe.

Looked at from this point of view, we can discern a significant motive in the geometrical construction of the major circles which Thom surveyed and analysed in detail. We can also begin to understand why there were different approaches to the construction of the circles, rather than a single standard design. In a crooked universe, there could be no universal answer to the problems they were trying to resolve. This universe is full of irrationality, simply because it is not the transcendent reality, but an imperfect representation of it. The irrationality could however be overcome in the physical world in specific instances of geometrical construction. In one case, by creating a design utilising an ellipse which measured precisely a specific multiple of the units employed in the pythagorean triangle used as the basis of the structure. In another, by making the structure egg-shaped, again with the same intention. The circle might also be flattened, in order to make the circumference commensurate with the units of the underlying triangle. 

But there is also the astronomical function of megalithic circles. As Thom identified, some are connected with the sun and its movements throughout the year. Others are keyed to the complex movements of the moon. For the later pythagoreans, and for Plato, the heavens represented a moving image of eternity. For these earlier pythagoreans, the heavens would be understood in the same way, and for the same reason.  A megalithic circle might therefore be conceived as a representation, in an abstracted form, of some the properties and attributes of Eternity. Eternity is something which is whole and complete, and returns into itself.

It therefore made sense to mark the extreme points of the movement of the heavenly bodies (which have their existence in the moving image of eternity), as a further embodiment of the connection between the worlds. These were constructed using only integral values, derived where possible, proportionately, from the movement of the heavens in relation to the earth. Heavenly cycles would be explored and represented in the structure where possible, together with indications of their periods. The motive for building the circles was performative, meaning that the structures served a set of religious functions on account of their existence and nature.

One of the objections made by the archaeologist Jaquetta Hawkes in the Chronicle documentary on Alexander Thom, made by the BBC in 1970, was that since the megalith builders did not have writing, there was no way of handing information on to succeeding generations. She also suggested that the inhabitants of the island during the period of megalithic culture were ‘simple farming communities... nomadic even’. But we know that the later pythagoreans cultivated memory. We are also told in Caesar’s account that becoming a priest in the late 1st millennium involved many years of study (around twenty), during which time a vast amount of information was committed to memory. So Hawkes suggestion that there was an absence of a means of handing on information is likely to be false. The cultivation of memory is built into the pythagorean view of reality, since what exists in the mind was understood to be more real than what could be understood by the senses.

12 Walking back the insight into Ancient Mind

Robin Heath has documented the archaeological community’s turning away from engagement with Thom’s work. This happened for a number of reasons. One of the reasons was that there was little that archaeologists could do with the information which he presented, and they had no idea at all what it might have meant. Thom surveyed and studied the stone circles, and inferred various properties, such as the apparent obsession with whole number in their construction, their use in eclipse prediction, and their connection with foresights in the surrounding landscape. Beyond this, Thom himself was largely unable to supply useful interpretative context to the phenomenon of megalith building.

Thom was also in conflict with a key assumption of archaeology, which is that man (in general) has been progressing, generation by generation, since the earliest times. The suggestion that there was a profound body of mathematical and astronomical knowledge so far back in time just didn’t fit with this paradigm. In the end it was argued that, despite the undoubted quality of his surveying of the monuments, he was seeing something that wasn’t actually there. 

A significant part of his work was resurveyed by the mathematician Clive Ruggles in order to determine the case. Ruggles’ approach involved avoiding any concern for the exact orientation and location of the foresights which Thom had identified, and so necessarily made that part of the evidence meaningless for the interpretation of the function of the sites. As a consequence of this approach, as far as the discipline of archaeology was concerned in the late eighties, there now was no longer a puzzle to be addressed.

The real problem for the interpretation of the stone circles however is the absence of any understanding in the modern world of a necessary connection between ideas of number, mathematics and geometry, and thought concerning the divine.  As suggested, we read ancient religions as analogues of modern religions, which we understand without reference to a technical substrate (though these substrates are sometimes still present in vestigial form).  For us, religion is about bodies of belief. So instead of an understanding of religion in terms of series of responses to fundamental philosophical questions, it is understood in terms of collective belief in socially useful behaviours, ritual, and myth. We understand ancient religion (as far as is possible) in terms of sociological, ideological, and sometimes pathological functions.

13 Pythagoreanism and the Deep

Returning to the question of the Pythagorean disciple who drowned at sea, we are told that the drowning occurred because, either he had discovered irrational numbers, or because he had divulged the fact that they exist (the sources for the story are inconsistent, which is often a pointer to glossed interpretation).  In the 1st and 2nd millennia BCE, Ocean was an image which referenced the idea of Being. Like Being itself, ocean seems without limit, and to be without form, shape and colour. It was an idea which was common to the Greeks and to Near Eastern cultures.

 In Mesopotamia, there was an important story which told how man was first educated in the sciences, agriculture, and land-measure, by an amphibious creature (the sage Oannes) who emerged from the sea in the daytime and conversed with men, before disappearing back into the deep in the evening. As a creature of the ocean, and a sage of Being itself, he had access to all knowledge. 

The idea of this is reduplicated in the more famous Mesopotamian story of Gilgamesh, which opens with the protagonist diving down to the depths of the sea. This makes sense once it is understood that the poem was known to the Mesopotamians as: ‘He who saw the deep’, meaning that Gilgamesh had access to knowledge of divine things.  Perhaps the real meaning of the story of the drowning of the Pythagorean disciple is that, in understanding the fact that there are such things as irrational numbers, and that both irrational and rational numbers can be commensurate with each other, he was in possession of an esoteric understanding of the divine, which lay at the heart of the unwritten doctrine of the Pythagoreans.

Notes

1. In William Sullivan’s The Secret of the Incas, it is argued that the Incas were attempting to turn back the precession of the equinoxes, in order to preserve a heavenly bridge that they imagined gave them access to the divine world. The subtitle of the book is: myth, astronomy and the war against time. They came to the view that they could turn back time because of a transcendentalist understanding of reality, and the place of the Incas within it. It is a completely counter-intuitive outlook.

References:

Caesar, Julius, Commentarii de Bello Gallico, [The Gallic War], book VI.  Harvard, Loeb Classical Library, 1917.
Chronicle (BBC), Cracking the Stone Age Code, 1970. The documentary film is available from the BBC Archive.
Cory, Isaac P., Cory’s Ancient Fragments, [contains the account of Berossus concerning the encounter with the sage Oannes, and passages from Alexander Polyhistor and Diodorus Siculus], London, 1828.
Diodorus Siculus, Bibliotheca historica, Harvard, Loeb Classical Library, 1989.
Diogenes Laertius, Lives and Opinions of Eminent Philosophers. Harvard, Loeb Classical Library, 1925.
Euclid, The Elements: Books I–XIII. Translated by Sir Thomas Heath, Barnes & Noble, 2006.
George, A.R., The Babylonian Gilgamesh epic: introduction, critical edition and cuneiform texts. Vol.1. OUP, 2003.
Guthrie, K. G., The Pythagorean sourcebook and library: an anthology of ancient writings which relate to Pythagoras and Pythagorean philosophy. Phanes Press, 1987.
Heath, Thomas L., A History of Greek Mathematics, 2 vols., OUP, 1921.
 Heath, Robin, Alexander Thom: Cracking the Stone Age Code. Bluestone Press, 2007.
Hesiod, Theogony; Works and days. Harvard, Loeb Classical Library, 2006.
Homer, Iliad, Harvard, Loeb Classical Library Iliad. Books 1-24, 2nd ed. 1999.
Iamblichus, On the Mysteries and Life of Pythagoras. Works of Thomas Taylor, Vol. XVII. Prometheus Trust, 2004.
Plato, Timaeus, Republic, Theaetetus, Phaedrus, etc. [twelve volumes]. Harvard, Loeb Classical Library, 1929.
Ruggles, Clive, Records in Stone, CUP, 1988 and 2003
Ruggles, Clive, Astronomy in Prehistoric Britain and Ireland, Yale University Press, 1999.
Seyffert, Oskar, Dictionary of Classical Antiquities. Revised and Edited, with Additions by Nettleship and Sandys. Article: ‘Janus’. Swan Sonnenschein, Macmillan, 1906.
Smith, William, A Smaller Classical Dictionary. Article: ‘Janus’. John Murray, 1891.
Sullivan, William, The Secret of the Incas: myth, astronomy and the war against time. Three Rivers Press, 1996.
Thom, Alexander, Megalithic Sites in Britain, OUP, 1967.
Thom, Alexander, Megalithic Lunar Observatories OUP, 1971 (repr. 1973 with corrections).
Xenophon, Memorabilia, Harvard, Loeb Classical Library, 2013.

Materials

There is a significant collection of papers and reviews concerning Thom's work available from The SAO/NASA Astrophysics Data System (ADS) which is a Digital Library portal for researchers in Astronomy and Physics, operated by the Smithsonian Astrophysical Observatory (SAO) under a NASA grant. It is possible to select the files you want, and to download them as a collection.

The BBC Chronicle episode from October 1970, Cracking the Stone Age Code, which is available from the BBC Archive. The file uses Flash. If it doesn't work first time, try reloading the page. It is also available on Youtube: https://www.youtube.com/watch?v=WafRqdOQK30&t=128s

The archaeologist and anthropologist Euan MacKie gave a lecture (British Archaeology and Alexander Thom) to a lay audience in 2013, in which he discussed both Thom's work and the subsequent rejection of Thom's findings by the archaeological community. He also discusses the problematic nature of Clive Ruggles methodology in resurveying some of the megalithic monuments in Scotland which Thom examined. Essentially Ruggles methodology, conceived as a way of excluding subjective bias from the survey process, necessarily makes it virtually impossible to reproduce Thom's results.





Tuesday, 20 February 2018

The Making and Renewal of the Gods in Ancient Assyria




A key chapter from The Sacred History of Being, published in November 2015. This chapter will be quite perplexing for readers who imagine that the important aspects of ancient religious practice, its preoccupations and purposes, are essentially the same as those which we are accustomed to in the later Abrahamic religions. Modern religion in fact bears very little relation to ancient religion, except in terms of some generalised concepts and vestigial remains. 

As far as the ancient Mesopotamian religious elite was concerned, it was within their power to both create divine images, and to set them up in Heaven. Strange? It is to us. But we don't make this conception unimportant by refusing to address what the evidence tells us. This chapter gives an indication of the extensiveness and detail in the evidence which has emerged from the ground over the past 150 years or so. 

The evidence for this strikingly different understanding of the nature of reality is largely ignored (currently), except by specialists in a relatively narrow field. It is hard to understand, and without an understanding of ancient philosophical ideas about the world, virtually impenetrable to modern scholarship. I've given some reasons in the chapter why this is so. 

This is just one of the puzzling areas of Mesopotamian civilization. There is elsewhere on this site a collection of divination texts, with the title 'Who will Appear Before the City?'. Equally strange, they concern conversation with Shamash the Sun god, about what will happen in the future. 

Thomas Yaeger, February 20, 2018. 

***


"Enki's beloved Eridug, E-engura whose inside is full of abundance! Abzu, life of the Land, beloved of Enki! Temple built on the edge, befitting the artful divine powers!" 
 'Enki's journey to Nibru.'  [i]

I have argued that the practice of philosophy in Greece is rooted in the context of religious ritual, and that philosophy as practised and discussed by Plato had as a principal purpose the exposing of a paradoxical quality in reality, in that reality has a two-fold nature (containing the limited, existing in time; and the unlimited, which participates in eternity), and that the world of experience is in effect an illusion within the ur-reality. As a consequence, the world as it presents itself is a series of images of Being, which point to its ineffable and invisible nature. Plato also spoke of the heavens as a moving image of eternity, patterned after the nature of Being, the 'most fair' image of divinity after which to pattern the world and everything contained within it. He also intimated that what applied to the reality of the Forms also applied to the 'revered and holy' images of the gods. This is possible because of the two-fold nature of reality. Things can be made holy, and holiness can be withdrawn.

So Plato was not talking entirely abstractly about Ideas and the Forms. They can have both concrete form on earth as well as a presence in Heaven. This suggests that in Ancient Greece, there was ritual practice associated with the making of divine statues, built on the precepts of the transcendent theology of the divine cults. Unfortunately, none of the rituals which might have existed have survived from the Greek cultural context.

The presence of a theory of Being in ancient Assyria has been demonstrated to be likely, on the basis of the clear similarity between the structures of the Jewish Kabbalah and the Assyrian Sacred Tree. The following chapters seek in addition to establish relationships between what Plato had to say about the creation of the world and its patterning, and ritual practice concerning the making of gods in Assyria. We have good detail for the latter. If the Assyrians understood the concept of Being as the root of reality itself, then the relationship of the forms of things to a wholly abstract concept of Being in Assyria should show parallels with the discussion in Plato.

The reconstruction of the Mis Pî ritual and its associated incantations mainly comes from the Neo-Assyrian or Neo/Late Babylonian periods. So that is from the 8th to 5th century B.C.E, although there are some fragments from Uruk dating to the 2nd century.  [ii]  These tablets come from Nineveh, Assur, Babylon, Sippar, Nippur, Kalhu (Nimrud), and a small number of other, more widely spread locations. The majority come from Ashurbanipal's library at Nineveh, and so date from the 7th century B.C.E. Their colophons confirm that they were the property of the library. Some of the texts from Nineveh are copies of texts originating elsewhere, but the tablets do not often give the sources. Full details of the existing texts are given in The Induction of the Cult Image in Ancient Mesopotamia, SAALT1, 2001, p27 - 29.

The following text concerning the preparation for the renewal of divine images, dates from the latter days of the reign of Esarhaddon (680-669 B.C.E.), and describes the process of the renewal of the cult images from the initial consultation of the oracles, to the final installation of the images.  [iii]

When in heaven and on earth signs favourable for the renewal of the (statue of) the gods occurred,  [iv]  then I, Esarhaddon, king of the universe, king of the Land of Assur,  the apple of Assur’s eye, the beloved of the great gods, with the great intelligence and vast understanding,  which the great Nudimmud, the wise man of the gods, bestowed on me,  with the wisdom which Assur and Marduk entrusted to me when they made me aware of the renewal of (the statue of) the great gods,  with lifting of hands, prayers, and supplication, (I) prayed to the divinities Assur, king of the Gods, and to the great Lord Marduk.

The following passage concerning the right to make gods we have already encountered. I repeat it here, within its original context:

 “Whose right is it, O great gods, to create gods and goddesses in a place where man dare not trespass? This task of refurbishing (the statues), which you have constantly been allotting to me (by oracle), is difficult! Is it the right of deaf and blind human beings who are ignorant of themselves and remain in ignorance throughout their lives? The making of (images of) the gods and goddesses is your right, it is in your hands; so I beseech you, create (the gods), and in your exalted holy of holies may what you yourselves have in your heart be brought about in accordance with your unalterable word”. 

Again, as is common in the translation of texts which seem to make little sense without minor emendation, this translation inserts words apparently required in English to render the meaning clear. Thus the line which says “…the renewal of the (statue of) the gods occurred” actually ought to be rendered “….the renewal of the gods occurred,” in order not merely to be strictly faithful to the original text, but in fact to enable us to understand what the text is actually saying. Likewise with the sentence “the making of (images of) the gods and goddesses is your right,” the rendering ought to be simply: ”the making of the gods and goddesses is your right.” We are dealing with a pattern of belief which employs images towards the worship of its divinities, and understands these images as actualisable representations of that which cannot be represented as an image, since that image transcends all of the categories of our understanding. The gods can have existence in this physical world precisely because of this transcendent nature.

Such existence defies common-sense, but it does not defy the logic of idolatry. Just as for some modern worshippers there is no necessary contradiction between a divinity who is transcendent in nature and yet immanent, in antiquity there was no necessary contradiction between a transcendent god and his incarnation in a cult image. The idea – by its elusive nature - was always subject to criticism, and latterly ridicule, both within and beyond the cultural grouping which supported such a notion, but it made sense within the implex of ideas around the role of the cult image.

The passage referring to Esarhaddon as: ‘the beloved of the great gods, with the great intelligence and vast understanding, which the great Nudimmud, the wise man of the gods, bestowed on me, with the wisdom which Aššur and Marduk entrusted to me when they made me aware of the renewal of (the statue of) the great gods,’ yokes together the idea of knowledge with kingship, and also with divinity, since the gods Aššur and Marduk made him aware of the need for the renewal of the great gods. He has the ‘great intelligence and vast understanding’ of ‘the great Nudimmud’, who  is in fact the god Ea, often identified with Enki the trickster god, but also the god of craftsmen. ‘Nu.dim.mud’ is one of Ea’s epithets, meaning ‘fashioner of images’.

We have already discussed the interesting equation between knowledge and ‘vast understanding’ and its contrast with the non-royal, non-divine ignorance which is the common lot of mankind within this model - the “deaf and blind human beings who are ignorant of themselves and remain in ignorance throughout their lives…”, and also Esarhaddon’s allusion to one of the theological questions of the day, by asking ‘Whose right is it, O great gods, to create gods and goddesses in a place where man dare not trespass?” Clearly however this is Esarhaddon’s task, and no-one else’s. It is a royal task, communicated to Esarhaddon by divine command, and not easy to perform: “This task of refurbishing (the statues), which you have constantly been allotting to me (by oracle), is difficult!”

The text continues with details of the means by which the gods are to be renewed.  Esarhaddon says:

Endow the skilled craftsmen whom you ordered to complete this task with as high an understanding as Ea, their creator.  Teach them skills by your exalted word; make all their handiwork succeed through the craft of Ninshiku.

Ninshiku is yet another name for Ea, a late form from post-Kassite times, though based on the Sumerian Nin-Å¡i-ku.  [v]  Esarhaddon is asking that the workmen be endowed with all the qualities of understanding and skill associated with Ea, the god of the craftsmen (i.e., the god also known as Nudimmud). This is tantamount to the request that the craftsmen have at least a temporary divinity for the duration of the renewal of the gods. The craftsmen have the excellence of the craftsman god only for a limited period, and for a precise purpose. They are therefore in a sense demiourgoi, like Plato’s craftsman in the Timaeus, able to fashion an image after the nature of the divine, while not being wholly or permanently divine themselves. Except that in this case, the gods themselves (aspects of the transcendent divinity) are being created.

Esarhaddon’s text continues with details of the means of oracular transmission of the gods wishes to the king:

I arranged diviners in groups in order to obtain a reliable oracular pronouncement about entering the bīt mummi. I performed divination (in order to determine whether the renewal should be done) in Aššur, Babylon (or) Nineveh. To determine the experts who should do the work and their initiation, I decided that each group should decide for itself separately; and still all the extispicies were in perfect agreement; they gave me a reliable, positive answer.

In other words, the oracular inquiries made by several groups of diviners produced answers which arrived together at the same time and agreed about the same issue.

Esarhaddon tells us that the oracular answers ordered him to enter the Bit Mummi in Aššur,

The capital, city, the dwelling of Aššur, Father of the gods; they indicated to me the names of the artisans (fit) for completing the work. By authority of a reassuring and favourable oracle, the diviners ordered me to do this work as follows:  “do it quickly, pay attention, and be careful; do not let up, do not direct your attention elsewhere”.  I trusted their positive and unchangeable oracle; I placed full reliance (on it).

It would seem from this text that there were at least two sets of oracular responses involved – those which ordered Esarhaddon to enter the Bit Mummi in connection with the renewal of the gods, and a second grouping of responses which were given within the precincts of the Bit Mummi, which named the artisans who were to undertake the work, and therefore those who were to be given a temporary divinity for the purpose of renewing the gods. Esarhaddon’s will is not to be focused on any other activity than this renewal.

In a favourable month, on a propitious day in the month of Shabatti, the favourite month of Enlil, I entered the bit mummi, the place where refurbishing was done, which the gods had chosen.

Among the epithets of Enlil (Sumerian ‘Ellil’) is ‘king of the foreign lands’, and the center of his cult was the temple E-kur, the ‘mountain house’, at Nippur. One of the images associated with Enlil is ‘merchant’ which suggests association with transactions.  [vi]  Arranging the work for the month of Shabatti, Enlil’s favourite month, would therefore be seen as propitious for work so definitively connected with the otherness of the gods in heaven.

I brought carpenters, goldsmiths, metalworkers, stone-cutters, “skilled artisans knowledgeable in the mysteries” into the temple which Shamash and Adad had indicated through divination. I installed the craftsmen there.

The work by the artisans is to be done in a place of both mystery and knowledge. We might infer from the choice of this place by the gods Shamash and Adad that the place in which the renewal is to happen is not fixed.  [vii]  The choice of the Bit Mummi is therefore likely to have a special significance for this occasion of renewal. The craft of making cult images, of the manufacture of the gods, is a religious mystery, knowledge of which is granted only to a limited group, who are installed in the chosen temple.

Red gold, mined in the mountains, which no one had as yet worked for artistic purposes, countless precious stones, not yet cut…., native to the mountains and upon which Ea had generously bestowed his splendour so that they might be fit for the lordly deities, I prepared in abundance for the shrines of the great gods, my lords, and for the bejewelling of their divinity, I gave (all these costly materials) into the pure hands (of the craftsmen).

Emphasis is laid on the fact that the materials which are to be used for the renewal of the gods have not yet been worked for such purposes – in other words they have not already served as materials for another form. They are as gifted by the gods – ‘upon which Ea had generously bestowed his splendour’, and therefore suitable for the work of the renewal. The Red gold, mined in the mountains (kur – a place of otherness), has not been worked, and ‘precious stones, not yet cut’, for the ornamentation of the divine images, Esarhaddon ‘gave…. Into the pure hands’.

‘Splendour’ here is indicated by ME.LAM/Melammu.  [viii]  Black and Green suggest that it connotes a ‘brilliant, visible glamour which is exuded by gods, heroes, sometimes by kings, and also by temples of great holiness and by gods’ symbols and emblems’.  They also suggest that ‘while it is in some ways a phenomenon of light, melam is at the same time terrifying and awe-inspiring’. Further:

Gods are sometimes said to ‘wear’ their melam like a garment or a crown, and like a garment or a crown, melam can be ‘taken off.’ If the god is killed, his melam disappears. While it is always a mark of the supernatural, melam carries no connotation of moral value: demons and terrifying giants can ‘wear’ it too.



[i] Black, Cunningham, Robson, Zόlyomi, The Literature of Ancient Sumer, 2004, p330


[ii] The Induction of the Cult Image in Ancient Mesopotamia, SAALT1, 2001, p27.


[iii] The Esarhaddon text comes from Borger’s Die Inschriften Asarhaddons, Königs von Assyrien. AfO Beiheft. 9. Graz. It is reproduced in translation in C.B.F. Walker and Michael B. Dick’s The Induction of the Cult Image in Ancient Mesopotamia, SAALT1, 2001 p25-27.


[iv] Note 79 on page 25 indicates that the astronomical sign meant here was the heliacal rising of Jupiter. The omen is discussed in detail in Borger 1956: 17-18. Note 79 also suggests a comparison with an omen declaration given to Ashurbanipal CT 35 pl.13-15, line 23 , which runs: ‘I commissioned you with the renewal of these (images of the) gods and of their temples (as before the words supplied by the translator in brackets should be ignored). The astronomical omen also had to be confirmed by a liver omen.


[v] C.B.F. Walker and Michael B. Dick’s The Induction of the Cult Image in Ancient Mesopotamia, SAALT1, 2001.p25, n84.


[vi] Black and Green, Gods, Demons and Symbols of Ancient Mesopotamia, ‘Enlil’ p76.


[vii] Shamash and Adad were invoked in Babylonian extispicy rituals see Black and Green, Gods, Demons and Symbols of Ancient Mesopotamia, 'Utu', p184 . It is possible that the instruction to use the Bit Mummi as the place for the renewal of the gods was received through divination by liver. Interestingly Plato’s account of the liver in the Timaeus describes the organ as reflecting the reason, which is a reflection of the reason of the heavens, exactly as it might have been regarded here (revealing the wishes of the gods Shamash and Adad). See also Black and Green, Gods, Demons and Symbols of Ancient Mesopotamia, 'melam' and 'ni', p 130-1.


[viii] C.B.F. Walker and Michael B. Dick’s The Induction of the Cult Image in Ancient Mesopotamia, SAALT1, 2001.p26, n86. It can be understood in terms of a visible counterpart of the 'me' of the gods.

Monday, 19 February 2018

Working wonders: Hephaestus and the Armour of Achilles




This is a retitled chapter from The Sacred History of Being (originally titled: 'Being in Homer'). It analyses Book XVIII of The Iliad. It is something of an eye-opener about the intellectual life of what became known as the Greek Heroic Age. Much of the intellectual and tropic detail in this book of The Iliad strongly resembles ideas and themes which can be found in Mesopotamian and Phoenician sources.

It is not much studied in modern times for an understanding of Greek life and thought, since it is full of fantastical elements, whose context we think we lost long ago. It may be studied for the language and the poetry, and also for the narrative of a small but crucial part of the conflict between the Achaeans and the city of Troy.

There is an exception however, which is discussed (among other things) in this chapter. It is a favourite subject of classicists and ancient historians, but they find it hard to agree about why the passage is present in the poem, and what it means. Looking at the entire book, which hangs together extremely well as an artistic enterprise, it is perfectly clear why the passage is present, and what its meaning is.

The text of the chapter is unchanged, and I've retained the footnotes (though they have been renumbered).


TY, February 19, 2018.



***

A passage in Homer’s Iliad, often thought to be a later interpolation in the text, the famous ‘Shield of Achilles’ episode, features a collocation of images, struck together on an imaginary shield. The shield edge is bounded by Ocean, which among the ancient Greeks connotes border, the edge of the world. It is also the place of generation, which is associated with Being and the gods. There is a scene where a dispute is being resolved, which is an image of justice. This is an allusion (in the Greek context) to the sun God Apollo, who, like his Mesopotamian counterpart, Shamash, is a god of justice. This image, rather than being a later interpolation, can be shown to echo the themes in the same section of the Iliad.

If we follow the story from the beginning of the eighteenth book of the Iliad, where Thetis comforts her son Achilles who is grieving for the death of his friend and kinsman Patroclus, we shall see how the images point to an articulate idea of Being. The essence of the events in this book is that Thetis promises to procure her son Achilles new armour from Hephaestus. At the command of Hera, Achilles attacks and strikes terror into the enemy. The body of Patroclus is recovered, and prepared for funeral rites. The armour is prepared by Hephaestus for Achilles.

Achilles is expecting to die, recalling that his mother once informed him that, though he was the bravest of the Myrmidons, he would, though now still surviving, would leave the light of the sun ‘by the hands of the Trojans’. Twice in this passage, his contemplation of the fate of the Achaeans is described as a ‘revolving’ in his mind (and once in his soul), which is reminiscent of Plato’s description of rational thought in the Living Animal. He grieves for the fallen Patroclus, killed by Hector. He gives a dreadful moan, and we are told that ‘his venerable mother heard him, while she was sitting in the depths of the sea.’ This passage is a close parallel to the Mesopotamian image of Ea/Enki at home in the midst of the waters of the Apsu. We are told that Thetis was beside her aged father in the depths, and that she immediately lamented for her son’s grief.  [i]  We are also told that ‘all the goddesses were assembled around her, as many Nereids as were at the bottom of the sea’, so this is a place where a totality (of Nereids) is collected together. In the Mesopotamian story the location is a house, whereas Thetis resides in a cave.

We are given a list of many of their names, and these repay attention.

The list is Glauce, Thaleia, Cymodoce, Nesaea, Spio, Thoa, and ‘large-eyed’ Halia, Cymothoë, Actaea, and Limnorea, Melita, Iaera, Amphithoë, and Agave, Doto, Proto, Pherusa, and Dynamene, Dexamene, Amphinome, and Callianira, Foris, Panope, and distinguished Galatea, Nemertes, Apseudes, and Callianassa.  In addition are mentioned Clymene, Ianira and Ianassa, Maera, Orithya, and fair-haired Amathea. There were others, but they are not named by Homer. The cave is described as ‘resplendent’ and full of Nereids.

Some of these are particularly interesting. Glauce as an adjective might qualify thalassa as ‘gleaming sea,’ as it does at II, 34. Thaleia probably connotes ‘abundance’ (thallo, as in thalassa), Nesaea means ‘island’ or ‘islet, from nēsos.  Spio probably means ‘cavern, cave or grotto’, derived from ‘speos’ (in Homer appearing as speious).  Halia may mean ‘blowing seaward’ (Homer uses haliaēs to mean this in the Odyssey. In connection with the epithet ‘large-eyed’, Halia is an Ionian word meaning ‘assembly of the people’. Homer is punning), and Cymothoë ‘billowing waves’.  Actaea means coast, (Aktaia), Limnorea may connote a large pool of standing water, or directly indicate the sea, Melita may be honeyed mead, or perhaps 'sweet water', and Amphithoë suggests 'running quickly around,' as water does when it is loosed from its bounds.

And so on. The pattern is clear. These are mainly attributes of water or liquid in different states, and therefore a collection of terms which might be used to describe aspects of the sea, or of the primal ocean, which might be the focus of priestly contemplation. Other terms refer to things associated with the sea, such as caves, and shorelines, and so on. We have here a partial list of attributes and properties of images which reference the divine. It may be that the origin of this list is one or more temple documents, compiled for a cult centre, in order to standardise a set of images and descriptions which might be used to approach the reality beyond images.

Ten of the names of the Nereids appear to be similar, but in different forms. These are Amphithoë and Amphinome, Callianira and Callianassa, Cymodoce and Cymothoë, Dynamene and Dexamene, and Ianira and Ianassa. The pairing of names in divine genealogy is well known in Mesopotamia, and usually indicates a twin birth. If this is the pattern which is being followed, it suggests that the Nereids might have been part of a complete theology at one time, perhaps imported from the near East, or perhaps brought to Greece by an incoming population group. It is also possible that the Nereids are very old and local to Greece. Unfortunately we have very little other information about the Nereids from any source other than Homer.  [ii]  We do know that the Phoenician theology was also focused on the depths of the sea, paralleling part of the Mesopotamian theology, with the god Ea living in the abyss at the bottom of the ocean. And that the Greeks did extensive business in their emporia along the coast of Phoenicia.

Achilles grief stems in part from the fact that the armour of Patroclus has been removed by the Trojans. Achilles own armour was also taken by the Trojans. The decision of Thetis to supply her son with the finest possible set of armour represents an inversion of the desecratory action of Hector, which has a bearing on the design represented on the shield made by Hephaestus, since it shows good order opposed to bad order.

Thetis and all the Nereids leave the cave, weeping, ‘and the wave of the ocean was cleft around for them.’ This is an image which recalls the creation, in that the ocean may be understood as a god, and to part the waves is to cut the divine body in two, as described in both Plato's account of the creation, and the Mesopotamian  account.

The concept of fate in the Iliad is strikingly inexorable, like that found in Mesopotamian literature – Achilles says: ‘may I die then immediately, since it was not destined that I should aid my companion now slain.’ Nevertheless he asks that bad order be replaced with good, and so ‘therefore contention might be extinguished from gods and men; and anger, which is wont to impel even the very wisest to be harsh.’ This idea is represented in the design of the shield, with two communities, one of which is based on brigandage, the other a place where contention has been banished. Thetis (‘the silver footed’) had urged Achilles ‘not to enter the slaughter of Ares’ before he sees her return at dawn with the armour from king Hephaestus.

Thetis then turns away from her son, and addresses the Nereids, saying that they should now enter the ‘broad bosom of the deep’, about to behold the ‘marine old man, and the mansions of my sire, and tell him all things’. The Nereids return to Ocean here is not simply a retracing of steps, but entry into the world of the divine. It is a place which must know all things. Thetis travels alone to ‘lofty’ Olympus, to Hephaestus, ‘the skilful artist,’ to ask if he is willing to make the armour.

In the meantime, Achilles is visited by the goddess Iris (peace), sent by Hera, to remind him of the disgrace that would be the consequence of the body of Patroclus being abandoned to the Trojans. She isn't urging peace.  However Achilles tells her of his mother’s admonition not to join the battle until her return. Iris then urges that he go toward the ditch and show himself to the Trojans, so that in their terror they may desist from battle, at least for a while.

Achilles rose after the departure of Iris. The goddess Minerva threw around his strong shoulders her fringed aegis. ‘And the divine one of goddesses crowned his head around with a golden cloud, and from it she kindled a shining flame’, and the flame from his head reached to the sky. He stood, having advanced from the wall to the trench only, and did not mingle with the Greeks, mindful of the advice of his mother. Three times he shouted over the trench, and three times were the Trojans and their allies thrown into confusion, with the assistance of Pallas Minerva. By this means the body of Patroclus was recovered.

So Achilles did not fight, but recovered the body of Patroclus by the use of his intelligence, through the assistance of the goddess of wisdom. It is good order to succeed through throwing your enemies and their allies into confusion, rather than achieving your aim by violence and slaughter. This part of Homer's text reflects a time when social and political issues were often resolved through angry and divisive contention. Thetis had urged Achilles not to enter the slaughter of the god of warfare, Ares, until she returned: Ares, in a sense, is as responsible for bad order as the Trojans and their allies.

This is followed by another striking image involving Ocean. ‘Large-eyed, venerable Hera’ ‘sent the sun to return to the flowing of the ocean, against his inclination.’ The sun therefore set, and the Greeks and the Trojans stopped fighting. The Trojans assembled in their council before they even thought to eat, which suggests they were impelled by anger more than sense. They were addressed by ‘prudent’ Polydamus, the son of Panthus. The name Panthus (Panthoos) again references the ideas of the telos and of Being, where everything is embraced, including past and present. In fact, the son of Panthus is described as one who, alone among them, ‘saw both the future and the past’. Hector and Polydamus were both possessed of excellences and virtues. Born on the same day, Hector excelled in counsel, and the other ‘greatly in the spear.’ Polydamus advised to guard the towers and the city overnight, dressed in their armour. Hector effectively told him to shut up, and advised that they should fight by the Greeks ships in the morning, and that if Achilles has arisen at the ships, ‘it will be the worse for him’.

The irony here is that it is Polydamus, who excelled 'greatly in the spear' and is therefore excellent in warfare, who makes the prudent proposal. Hector, by contrast and against expectation, provided bad counsel. So the Trojans assented to Hector, and cheered him. But they were foolish, since Pallas Minerva ‘had taken their senses away from them.’ They assented to Hector’s advising of destructive things, and no one assented to the prudent counsel of Polydamus.

By this time (after sunset, when the sun is below the waves) Thetis had reached the home of Hephaestus on Olympus – incorruptible, starry, and remarkable among the brazen immortals. Hephaestus therefore is remarkable, but not divine, though he possesses attributes of the divine.  He makes statues of the gods, or in fact ‘makes gods’ as was the understanding of the early part of the 1st millennium B.C.E.  He thus has very special attributes, like the Mesopotamian Nudimmud, and can make things in heaven as well as on earth.

Homer tells us that Thetis found him sweating, working at the bellows, making twenty tripods to stand around the wall of his ‘well-built palace’. These tripods had golden wheels placed under the base of each, so that ‘of their own accord they might enter the heavenly council, and again return home – a wonder to be seen.’

Here is another image which references the world of Being. It also associates the divine world with the idea of council: the two are associated through the idea of totality, since totality is an attribute of both council and Being. And in a sense, they are interchangeable through their common possession of totality. We are told of the perfection of the work which has produced these tripods, as we were told of the perfection of the body of the living animal in the Timaeus: “so much finish had they, but he had not yet added the well-made handles, which he was preparing; and he was forging the rivets.”

So we have three attributes of the divine referenced in this passage: totality, perfection and council, struck together. The tripods have golden and therefore incorruptible wheels. They are also circular, and complete. By virtue of these attributes alone, they can pass into the heavenly council, and also return, again by virtue of these attributes.

This is a clear anticipation of the theory of wholes or totalities attributed to Pythagoras, and repeated by Plato, in which completeness by itself allows participation in the divine, and indeed identity with the divine. This passage is virtually impossible to explain outside the context of a theory of this sort. In which case, the theory of wholes and totalities was known to Homer in the 9th or 8th century B.C.E.  [iii]

The tripods are able to move between the worlds, which makes sense, if the worlds are conceived of as being physically distinct - one way in which commerce with the divine can be framed. That these remarkable objects are tripods probably reflects two things - that the objects can have reality in this world, and the worlds above and below this one. The tripod is also a common ritual object in the early 1st millennium B.C.E, and not only in Greece. It might be used to hold a vessel for burning incense, or for collecting the blood of a sacrifice, and so on. The image carries these and other associations of commerce with the divine world.

Thetis is greeted by Hephaestus, and then his wife Charis. Hephaestus recalls that “an awful and revered goddess… saved me when distress came upon me, fallen down far by the contrivance of my shameless mother,  [iv]  who wished to conceal me, being lame.”  [v]  He then focuses on the importance of Ocean for him, saying: “Then should I have suffered sorrows in my mind, had not Eurynome and Thetis received me in their bosom; Eurynome, daughter of the refluent Ocean.”  [vi]  He tells us he was with them for nine years, during which time he made in brass “many ingenious works of art, buckles, twisted bracelets, and clasp-tubes, in the hollow cave,” while “round us flowed the immense stream of Ocean, murmuring with foam: nor did any other either of gods or mortal men know it; but Thetis and Eurynome, who preserved me, knew it.” He asks Charis now to set before Thetis “good hospitable fare”, and lays aside his tools. “He went out of the doors limping, and golden handmaids, like unto living handmaidens, moved briskly about the king.” Here we have the art of statuary associated with a former inhabitant of Ocean – and it is the art of creating living statues of which Hephaestus is a master craftsman.

We are told something of their attributes: “in their bosoms was prudence with understanding, and within them was voice and strength; and they are instructed in works by the immortal gods.” We have been told earlier that Hephaestus can make objects which can enter the heavenly council of their own accord, and return again, which was “a wonder to be seen”. So we know that setting up statues within Heaven is within his abilities. He can make living creatures which have within them the attributes of prudence and understanding. They are also instructed in works by the immortal gods, which means that these golden handmaids are expressions of the divine will and intention.

At this point Thetis makes her request to Hephaestus, that he make armour for her son Achilles. The armour of Achilles was lost when Patroclus was slain, since Achilles had given him his own. Thetis explains that “All day they fought round the Scaean gates, and certainly on that day had overturned Troy, had not Apollo slain, among the foremost warriors, the gallant son of Menoetius, after having done such mischief, and given glory to Hector.” Apollo is the god of justice as well as of the Sun, and so is the dispenser of victory and defeat to men in battle.  [vii]

It is particularly interesting to consider how it is that negative characteristics can have positive qualities, as we find in the Iliad and the Odyssey.  Odysseus has the epithet ‘Sacker of Cities’, and at the time Homer was writing, it is clear that being a ‘sacker of cities’ was not seen universally as reprehensible to the society of the time, but Homer himself objects to it.  [viii]  Hence the 'Shield of Achilles' passage, where the contrast is made between a prosperous city and a city under siege, open to destruction and the division of spoils. The idea is planted that the rapacious behaviour of former times, in a time before reason, may not have much to recommend it.

Underlying the idea that the ‘sacking of cities’ is something which may have honour and glory associated with it, is the abstract notion of greatness. The sacking of a city is greatly destructive, and so participates (within this simplistic model) in greatness. What we have here is an idea which fits within the mental model in which it is possible to connect with divinity through extreme action. There would have been many objections to this, on the grounds that such action did not promote the good, or good order. Hence it was a question which would have exercised the Greeks as being a pattern of behaviour which superficially made sense within a mental model of the world of the late Bronze Age.



[i] It is interesting and possibly significant that Homer never mentions Nereus by name, but is referred to as the 'aged father' of Thetis.

[ii] It is well known that Homer composed the Iliad and the Odyssey somewhere in Anatolia, and so the Nereids may have been part of the theology of an Anatolian cult, rather than a Greek one. It is unnecessary to explore here that even in ancient Greece it was accepted by some that a significant number of their gods had a foreign origin.

[iii] The alternative would be to argue that not only is the 'Shield of Achilles' passage a later interpolation, but that much of the eighteenth book of the Iliad comes from a much later date. I don't think that would be a credible suggestion. The very fact that so much in Homer has been difficult to explain for so long, argues that the text we have comes from an age with a different set of preconceptions about how things work.

[iv] In later accounts, Hephaestus is son of Hera, without the intervention of a father. Here he is son of Zeus and Hera, sister and wife.

[v] The lameness of Hephaestus reflects the awe in which workers in metal were once held: they seem to work magic, and yet they are here on earth. They seem to work with heavenly fire, but are not actually divine.

[vi] Eurynome is daughter of Okeanos, as he says. But her name means something like 'wide pasture'. The first part of her name translates literally as 'broad' or 'wide'.

[vii] His equivalent in Assyria is Shamash, who has similar qualities, and is sometimes represented in palace reliefs as hovering over the field of battle, represented by his symbol of the winged circle.

[viii] 'Destruction of cities' is included among the lists of Sumerian 'mes'.