Abstraction and the Instantiation of Divine things in Mesopotamia

My work The Sacred History of Being is cited in an article by the writer Ben Thomas - "The God Enki and the Ocean of Everywhen" - on his website 'The Strange Continent'' (published August 3, 2017). This is a fascinating article which is well worth checking out - the link to the full article is at the foot of this post. We've been corresponding occasionally over the past few years, mostly about Mesopotamia and Mesopotamian modes of thought. The argument of The Sacred History of Being is complex and sometimes abstruse, and it is always a joy to find it has been understood.

I've quoted the passages most relevant to The Sacred History of Being. Ben wrote:

...The upwelling of cool, sweet, fresh water seems to have spoken of something deeper to these people: a limitless potentiality; a permission to play with the world and reinterpret it; to import new realities from the world of Mind. 

Because it’s clear – as the philosopher Thomas Yaeger’s book The Sacred History of Being explains in depth – that certain ancient Mesopotamians understood the concepts of Being, Becoming, Matter and Mind every bit as clearly as the Greek philosophers did. 

But where the Greeks defined and explored these concepts explicitly, in writing and debate, the Mesopotamians explored them experientially, through symbol and ritual: The Ceremony of the Tree. The Opening of the Mouth of a God. (When Mesopotamian texts say, “This is how to make a god,” Yaeger argues, they mean it literally!) The intercessory deities who hold cups overflowing with endless streams of fresh water. 

The Sumerians consciously recognized that they stood on a great threshold – and across thousands of years, they perfected the techniques of stepping back and forth across it; carrying material facts one way, and new inventions the other. 

And what lived on the other side of that doorway? The god Enki – lord of intelligence and knowledge, keeper of the arts and crafts; also called Nudimmud, “the Shaper,” who “opens the doors of understanding” (emphasis mine) and teaches humans how to construct canals, plan temples, write letters and compose music. 

From his hidden “House in the Waters,” Enki monitors the flow of all information in the world, and guards new ideas until they’re ready to be born. He’s not exactly a trickster, but he’s definitely playful, and he inspires playfulness.  

Still more crucially, Enki is the custodian of the mé – an untranslatable (plural) Sumerian word, which the great Sumerologist Samuel Noah Kramer explained as the “fundamental, unalterable, comprehensive assortment of powers and duties, norms and standards, rules and regulations, relating to… civilized life.” 

The Sumerians have left us lists of more than 100 mé, including “kingship,” “truth,” “law,” “sexual intercourse,” “weapons,” “scribeship,” “sacred prostitution,” “leatherwork,” “judgment,” and “the troubled heart.” 

As Kriwaczek says, the mé “show how self-consciously aware the ancient Mesopotamians were of the difference between civilization and other ways of living… that they expressed it with an entirely new cognitive concept, for which we have no equivalent.  

As Yaeger explains in his Sacred History, the mé are far more than just abstract concepts. In the poem known as Inanna and Enki, the goddess Inanna gets Enki drunk, steals the mé, and loads them onto her “boat of heaven.” Braving seven attacks by sea monsters, Inanna manages to transport the mé to the cities of Eridu and Uruk, where the people unload them amidst great jubilation and feasting. 

This would be a very strange way to talk about the mé if they were simply abstractions. But a clue is offered by the fact that the Sumerians treated many seemingly abstract concepts in similar ways. 

Ceremonies for “opening the mouth of a god” refer to “putting on the melammu,” the divine splendor, as if it were a sort of cloak. Kingship, too, is often described as something that “descended from Heaven,” and can be “carried” from one city to another. 

In light of all this, it seems very likely that – just as the term mé is untranslatable into our frame of reality – our discrete categories of “symbol,” “referent,” “abstract” and “concrete” would have been equally baffling to a Sumerian.  

This framing is so different from ours that it can be difficult to comprehend: a scepter does not symbolize kingship; it is kingship. The statue does not symbolize Enki; once its “mouth is opened,” the statue is Enki – even as the god Enki is not limited by this one statue, and dwells in the eternal ocean.

To ask whether the Sumerians thought of the mé as abstractions or physical objects is to pose a wrong question. The mé sat at the border between reality and Mind – and once the Sumerians had stumbled on that doorway, they took great pains to keep it open, and to facilitate passage across it. 

I knew none of this, of course, as I sat in my apartment paging through images of Mesopotamian archaeology. I only knew that I’d stumbled on some primordial wellspring of originality; a mystery I wanted not so much to solve as to experience for myself. 

.....

The great historian Thorkild Jacobsen describes the god Enki as “the numinous inner will-to-form in the Deep.” This is not the dead god of a vanished civilization – this is the Ocean where “2+2=4” and “the steam engine” and “scribeship” and “the troubled heart” have always lived, along with all things unimagined and yet to be.

To bring new things across the doorway, we must re-learn the trick of standing on its threshold.

Bravo Ben!

"The God Enki and the Ocean of Everywhen" is at:

https://thestrangecontinent.com/2017/08/03/the-god-enki-and-the-ocean-of-everywhen/

Dolorosa

Something a bit different. This picture was taken in central Madrid in the summer of 2010. Quite a striking window display. Thanks to Remedios Melero (University of Valencia), who took me on an extensive walking tour.

The music track (14:14 minutes altogether) was written and recorded in 2008, and the two were joined on July 15, 2019. Full stereo.

25 per cent discount on books by Thomas Yaeger during July 2019. At Smashwords only.

11th Annual Smashwords 2019 Summer/Winter Sale!

July 1, 2019 - July 31, 2019

Thanks for your participation! This offer is now closed. 

All four of my books sold through Smashwords will be  discounted during the month of July, so this is a chance to pick up a bargain! The catalog for the sale goes live at one minute past midnight on July 1 Pacific time, and expires 11:59pm on July 31. Clicking on the image of each book's cover below will take you through to the Smashwords page for it. Clicking on the title will taken you to a blog page giving further details.

During the sale period the price at Smashwords is the discounted price. Prices at Itunes, Barnes & Noble, Blio, Walmart, Inktera, etc. are not discounted.


The Sacred History of Being (2015), is available during the sale period at 25% off the full Smashwords price.

Formerly argued by classical scholars to have been first discussed by the ancient Greeks in the middle of the first millennium B.C.E., the articulate concept of Being can now be traced as far back as the middle of the second millennium, and the state of Assyria. 

The Greeks themselves had several stories about the origins of philosophy, a discipline which essentially deals with abstractions, including that it originated elsewhere, but that is not the received narrative. The consequence of this, is that all historians of ideas, when constructing their accounts of the intellectual development of man before the arrival of Parmenides and Plato, have had to negotiate the Greek invention of philosophy, and the corollary, that articulate discussion of the abstract concept 'Being' didn’t happen before this.

This can now be shown to be a faulty understanding, resulting in many absurdities. The Old Testament has examples where God declares his identity with Being itself (‘I am that I am’, better translated into English as ‘I am that which is,’ and ‘I am the first, and I am the last; and beside me there is no God', for example), but these are not regarded by scholars as evidence of a sophisticated discourse around the idea of Being. Instead these statements indicate inchoate ‘notions’ about the nature of god, rather than anything more profound. The statement in Malachi, however, that 'I do not change', is an explicitly philosophical understanding of the nature of God.

Published by the Anshar Press.  

J.G. Frazer and the Platonic Theory of Being (2016) Is available during the sale period at a 25% discount from Smashwords.

When he was only twenty-four years old, James Frazer won a Cambridge fellowship with an essay on the development of Plato's theory of the Forms or Ideas (eidos). In this essay he argued that there was no overarching theory of Being in Plato's mind before he embarked on the writing of his dialogues, and that consequently differences in approach and discussion apparent in his work are the result of the development of his thought. He also argued that the very idea of Being is a barren notion, in that nothing can be predicated of Being. As a result Plato made a mistake, effectively conflating an epistemology with an ontology. 

Though the essay was written in 1879, it was not published until 1930, after much of his later work was done. Frazer became famous for his monumental study The Golden Bough, which explored a vast range of ancient and primitive myth and ritual. Here too he found intellectual processes founded in error. What was Frazer's intention in re-interpreting Plato against what Plato himself said, and his wholesale restructuring of ancient thought by reducing much of it to a pattern of error?

In sixteen sections, with prefaratory material and a conclusion. Over 23 thousand words, a preface, select bibliography, and extensive notes. Published Spring 2016 by the Anshar Press.  

A couple of related blog posts explore J.G. Frazer's discussion of Plato, and the implications for the writing of The Golden Bough. The two articles are synthesised together in a third article: Frazer and the Association of Ideas.

Understanding Ancient Thought (2017), is available during the sale period at 25% off the full Smashwords price.

Understanding Ancient Thought is the third in a series of books which examines how we assess evidence from antiquity, and frame models to make sense of that evidence.  

The book consists of eighteen essays, which cover a number of subject areas which are in thrall to what Foucault described as an ‘episteme’. In other words, the way the subject areas are understood within the academy is in terms of what our cultural models, language and assumptions will allow us to understand. The actual evidence may suggest an alternative view, but it is not possible to see it, or to think it. At least until the paradigmatic frame shifts to another ‘episteme’.  

The main thrust of the book is that two hundred years of modern scholarship concerning the past has, for the most part, assembled a fictive and tendentious version of the ancient world. 51 thousand words. Published by the Anshar Press, 

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Thomas Yaegers latest book, Man and the Divine: New light on Man's Ancient Engagement with God and the History of Thought, is also discounted by 25% during the Smashwords Summer/Winter sale. Published by the Anshar Press. ISBN 9780463665473. It is now available at Smashwords https://www.smashwords.com/books/view/872542. Published in August 2018.

Many of the essays deal with the question of esoteric knowledge in antiquity, often from slightly different angles. Essays include:

The Enlightenment of David Hume.  Though Hume's empirical approach was not wholly successful, some of his intuitions expanded our collective understanding of how we perceive reality – for example, his insight that we have no actual knowledge of the process of causation at all, and only a customary expectation of causal process, was a powerful one. We can describe causal processes, we can differentiate the nature of different causal processes, and we can formulate rules in connection with them, but we cannot know how causality itself operates, or even be sure that a perceived causal relation, often observed before, will obey the implicit rule the next time it is under scrutiny by us. However, it is no longer clear that Hume was exploring his mental processes and understanding entirely within the framework of western secular thought. This chapter is based on intriguing research by Alison Gopnik. 

Richard Dawkins and Deism. Modern atheism is actually dependent for its nature on the ontological argument, and the terms in which it is framed. Meaning that eight hundred years of argument about the nature and existence of God underpins the point of view of those who regard themselves as atheists. Dawkins makes a distinction in ‘The God Delusion’ between theism and deism. Theism is a pattern of belief which enshrines the idea that the Divine is responsive to man, and his rituals of worship and prayer. It is a pattern of belief dependent on the idea that God can act in the world.  By contrast, deism contemplates the idea that a creator God has existence, and necessarily created the world, but that he is not active in the physical world beyond that. This essay argues that Dawkins is in fact a modern deist rather than an atheist. 

Mathematics and Geometry.  The process of separating ourselves from an interpretation of the world in terms of simple apprehension is driven initially by the practical necessities of our existence. But this process does not need to stop there. Intelligence consists in being able to adjust the categories of our understanding so that we do not mistake one thing for another. It is a mental development which might have no end. This is essentially how Kant understood human intellectual development, which he framed (in his Prolegomena) in terms of a general theory of a priori concepts, not based on empirical sense data, or even a mathematical or geometric understanding of anything in the world. 

Evading the Infinite.  This chapter is a critical response to Adrian W. Moore's radio series 'The History of the Infinite', broadcast in the autumn of 2016, and his book 'The Infinite', published in the early 90s. His treatment of the subject hardly references Plato at all. Adding Plato to the discussion changes the way in which the argument should be framed. The actual infinite is the principal source of ancient ideas concerning the divine, not Aristotle's potential infinite, so Moore's argument concerning our knowledge of God is forced to take refuge in the quasi-mystical Calvinistic idea of a 'sensus divinitatis'. His argument also makes it impossible to understand Kant's treatment of religion. 

The Esoteric Conception of Divinity in the Ancient World.  In my twenties, I was struck by the strong interest the ancients had in the idea of limit – in art, architecture, philosophy, and ritual. This interest did not much seem to engage modern scholarly attention, with a couple of notable exceptions. Initially I had no idea at all what the significance of the idea of limit might be, and no idea where pursuing it would take me. Or that it would lead to a book it would take me four years to write, and which would reframe my understanding of human intellectual history in the process. 

Unwritten Doctrine, Ancient Silence. It is often assumed by students of antiquity that there is no special importance to be attached to remarks that certain items of information are to be kept secret and not imparted to the unworthy, and to the ordinary mortal. This assumption is based on the presumption that there was, and is not, anything about which it is impossible to speak of, before those not used to dealing with information about religion and the divine. This is a curiosity of modern times, in that the ignorance of theology among the moderns makes it impossible for them to credit the importance of theology in antiquity -  both to those who understood its subtleties and and those who didn’t. 

What is Sacred, and what is Profane?  Each of the divine names of Marduk, the head of the Mesopotamian pantheon,  has a description, and each of the lesser gods can be understood as abstractions of aspects of the rational creation. They represent excellences in the world. Marduk represents the sum total of these. This is the clue to understanding much of the ancient understanding of what the divine is. Each described excellence resembles reality itself in terms of its properties. The excellence may serve social functions, as does a skill or specialism, but it should be performed for its own sake. The performance of these excellences recalls the perfection and completeness of the plenum, and reinforces the presence of the divine in the world.  

Intentionality, Conjecture, and What is Holy. Intentionality explains why the ancients created a multiplicity of gods. If the divine itself cannot by definition be completely defined and understood, at least certain properties and attributes can be understood. These can therefore be defined and named as ways of accessing the divine. This does not at all conflict with the idea that the reality of the divine is in question. Instead this view argues that there is in fact a subjective component in the reality of the divine, at least insofar as it is possible for us to have commerce with it. 

Excellence and the Knowledge of Divine Things. Plutarch opens his life of Alexander with a cheerful complaint about the sheer extent of the materials available to him to write on Alexander. So the details which are in his essay are there because he regarded them as important in showing Alexander’s character, his disposition, and the content of his mind. On the basis of his sources he says that it is thought that Alexander was taught by Aristotle not only his doctrines of Morals and Politics, but also those more abstruse mysteries which are only communicated orally and are kept concealed from the vulgar: for after he had invaded Asia, hearing that Aristotle had published some treatises on these subjects, he wrote him a letter in which he defended the practice of keeping these speculations secret. 

Cultural Continuity in the Ancient World, and Bernal’s Black Athena. Martin Bernal’s intention was to take ancient Greece out of its exalted orbit above all other civilizations, and root it in what he assumed to have been a cultural continuum around the Mediterranean sea from at least the mid-2nd century B.C.E up until the classical period of Greece in the 5th and 4th centuries B.C.E. Bernal pointed to the evidence within the texts of the 1st millennium which suggested cultural continuities with ancient Egypt – all dismissed by the classicists in favour of evidence in texts which could be interpreted as suggesting the opposite. Bernal’s attempts to establish cultural continuity with the civilizations around the Mediterranean were hampered by the fact that myths are not simply encodings of historical and political change, and that the exchange of words between linguistic groups is, by itself, weak evidence for cultural continuity.  He was correct to guess at the existence of the cultural continuity, I think, but ill-equipped to establish such a thing. 

VenusPeter's review of 'The Sacred History of Being'

A review of The Sacred History of Being at WorldCat:
The Sacred History of Being.
by Yaeger, Thomas
eBook : Document

Sometimes scholars do not see what is before their eyes, or they see what they are trained to see. The Sacred History of Being begins with an account of the author becoming aware - over many years - of the limitations of modern scholarship concerning the ancient past. There are so many unexamined assumptions in the relevant disciplines which make it nearly impossible to make sense of some of the evidence. The assumptions are a form of noise, which is hard to see through, and the understanding of most scholars is circumscribed by the din of that noise.

This is a book which discusses both the ancient past, and the modern post-Enlightenment world. The modern world comes off badly in comparison, since we now generally frame questions in terms which produce answers which make sense to us. What an ancient priest made of a question, for example, is often of no concern to us. We aren't dealing with rational thought in antiquity.

Yaeger's book is a sustained assault on this idea. It attempts to show that, long before the Greeks, the Mesopotamians explicitly understood themselves to be rational beings living in a rational universe. Their account of the creation of the world in which we live makes that very clear. That world is framed in their creation story as a descent into generated matter from an undifferentiated plenum. As a consequence, the Mesopotamians saw a connection between the plenum and knowledge far beyond human understanding. Yaeger argues that one of the functions of religion in Mesopotamia was to make connections possible between the transcendent world of the plenum (Being itself) and the secular world, and for man to gain access to knowledge of divine things.

Sound familiar? This is very similar to what Plato was discussing in the Republic in connection with the ascent of the philosopher to 'the Good' via the forms, and a return to the sensible world with beneficial knowledge. Yaeger does not rest on this simple comparison however, and digs deep into Mesopotamian ritual for the creation of divine images. The result of close study of these rare texts shows how thoroughly the parallels run between Greek and Mesopotamian thought. The Mesopotamian texts however date from a period before the rise of classical Greece...

The fifth century enlightenment in Greece therefore begins to look like a form of noise - a difficulty largely created during the European Enlightenment.

There are many good things about this book, not least of which is the quality of the writing and discussion. Once you have read the book, it is hard to look at the ancient world in the same way as we used to do. Much that looked like the result of a primitive stupidity (the practice of divination, sacrifice, etc), can now be approached in a different way, which presumes so much less about the nature of the ancient evidence.